LEADER 03082nam 2200637Ia 450 001 9910457885603321 005 20200520144314.0 010 $a1-280-11659-5 010 $a9786613520883 010 $a0-520-95206-5 024 7 $a10.1525/9780520952065 035 $a(CKB)2550000000084034 035 $a(EBL)850697 035 $a(OCoLC)775871185 035 $a(SSID)ssj0000611676 035 $a(PQKBManifestationID)11445575 035 $a(PQKBTitleCode)TC0000611676 035 $a(PQKBWorkID)10666861 035 $a(PQKB)10299375 035 $a(StDuBDS)EDZ0000092607 035 $a(MiAaPQ)EBC850697 035 $a(MdBmJHUP)muse31009 035 $a(DE-B1597)520236 035 $a(DE-B1597)9780520952065 035 $a(Au-PeEL)EBL850697 035 $a(CaPaEBR)ebr10533545 035 $a(CaONFJC)MIL352088 035 $a(EXLCZ)992550000000084034 100 $a20111005d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDesire and pleasure in seventeenth-century music$b[electronic resource] /$fSusan McClary 210 $aBerkeley $cUniversity of California Press$dc2012 215 $a1 online resource (356 p.) 300 $aDescription based upon print version of record. 311 $a0-520-24734-5 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $tPrelude: The Music of Pleasure and Desire -- $tPart I. The Hydraulics of Musical Desire -- $tPart II. Gendering Voice -- $tPart III. Divine Love -- $tPart IV. Dancing Bodies -- $tPart V. La Mode Française -- $tPostlude: Toward Consolidation -- $tNotes -- $tIndex 330 $aIn this book, Susan McClary examines the mechanisms through which seventeenth-century musicians simulated extreme affective states-desire, divine rapture, and ecstatic pleasure. She demonstrates how every major genre of the period, from opera to religious music to instrumental pieces based on dances, was part of this striving for heightened passions by performers and listeners. While she analyzes the social and historical reasons for the high value placed on expressive intensity in both secular and sacred music, and she also links desire and pleasure to the many technical innovations of the period. McClary shows how musicians-whether working within the contexts of the Reformation or Counter-Reformation, Absolutists courts or commercial enterprises in Venice-were able to manipulate known procedures to produce radically new ways of experiencing time and the Self. 606 $aMusic$y17th century$xHistory and criticism 606 $aMusical criticism 608 $aElectronic books. 615 0$aMusic$xHistory and criticism. 615 0$aMusical criticism. 676 $a780.9/032 700 $aMcClary$b Susan$01005722 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910457885603321 996 $aDesire and pleasure in seventeenth-century music$92468399 997 $aUNINA LEADER 02030oam 2200565Ia 450 001 996199500303316 005 20230617041900.0 035 $a(CKB)1000000000289939 035 $a(MH)009816836-3 035 $a(SSID)ssj0000079754 035 $a(PQKBManifestationID)11972508 035 $a(PQKBTitleCode)TC0000079754 035 $a(PQKBWorkID)10076346 035 $a(PQKB)11117822 035 $a(EXLCZ)991000000000289939 100 $a20051019d2005 uy 0 101 0 $aeng 181 $ctxt 182 $cc 183 $acr 200 10$aShopping center security $eperception and reality /$fDonald H. Greene$b[electronic resource] 210 $aNew York $cInternational Council of Shopping Centers$dc2005 215 $a1 online resource (xvi, 239 p. )$cill. ; 300 $aBibliographic Level Mode of Issuance: Monograph 311 1 $a1-58268-049-3 320 $aIncludes bibliographical references. 606 $aShopping centers 606 $aRetail trade$xSecurity measures 606 $aShopping centers$xSecurity measures 606 $aRetail trade$xSecurity measures 606 $aCommerce$2HILCC 606 $aBusiness & Economics$2HILCC 606 $aMarketing & Sales$2HILCC 615 0$aShopping centers. 615 0$aRetail trade$xSecurity measures. 615 0$aShopping centers$xSecurity measures 615 0$aRetail trade$xSecurity measures 615 7$aCommerce 615 7$aBusiness & Economics 615 7$aMarketing & Sales 676 $a363.28/9 700 $aGreene$b Donald H$0193626 712 02$aInternational Council of Shopping Centers. 801 0$bHBS 801 1$bHBS 906 $aBOOK 912 $a996199500303316 996 $aShopping center security$92559061 997 $aUNISA 999 $aThis Record contains information from the Harvard Library Bibliographic Dataset, which is provided by the Harvard Library under its Bibliographic Dataset Use Terms and includes data made available by, among others the Library of Congress