LEADER 02931nam 2200613Ia 450 001 9910457863803321 005 20200520144314.0 010 $a0-8166-8458-8 035 $a(CKB)1000000000347213 035 $a(EBL)310258 035 $a(OCoLC)615004804 035 $a(SSID)ssj0000277514 035 $a(PQKBManifestationID)11954843 035 $a(PQKBTitleCode)TC0000277514 035 $a(PQKBWorkID)10234057 035 $a(PQKB)10196119 035 $a(MiAaPQ)EBC310258 035 $a(MdBmJHUP)muse33441 035 $a(Au-PeEL)EBL310258 035 $a(CaPaEBR)ebr10151065 035 $a(CaONFJC)MIL522426 035 $a(EXLCZ)991000000000347213 100 $a19930322d1993 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe bronze screen$b[electronic resource] $eChicana and Chicano film culture /$fRosa Linda Fregoso 210 $aMinneapolis $cUniversity of Minnesota Press$dc1993 215 $a1 online resource (192 p.) 300 $aDescription based upon print version of record. 311 $a0-8166-2136-5 311 $a0-8166-2135-7 320 $aIncludes bibliographical references and index. 327 $aContents; List of Photographs; Acknowledgments; Introduction: The Bronze Screen: Looking at Us Looking; 1 Actos of ""Imaginative Re-discovery""; 2 Intertextuality and Cultural Identity in Zoot Suit (1981) and La Bamba (1987); 3 Humor as Subversive De-construction: Born in East L.A. (1987); 4 From Il(l)egal to Legal Subject: Border Construction and Re-construction; 5 Nepantla in Gendered Subjectivity; 6 Conclusion: Eastside Story Re-visited; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z 330 $aExplores Chicana and Chicano popular culture through contemporary representations in both Hollywood commercial and independent cinema.Rosa Linda Fregoso's The Bronze Screen opens the way for international debate on the new critical field of Chicano/a cinema. Fregoso provides an incisive articulation of the ways in which narrative codes in film can telescope complex versions of Mexican and American culture and history. The often violent impact of 'first' (U.S.) and 'third' (Mexico) world cultures and geographies is channeled through the very term Chicano/a as well as its cin 606 $aCulture in motion pictures 606 $aMexican Americans in motion pictures 608 $aElectronic books. 615 0$aCulture in motion pictures. 615 0$aMexican Americans in motion pictures. 676 $a320.5/32/0945 676 $a791.43 676 $a791.43/652036872 700 $aFregoso$b Rosa Linda$0893621 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910457863803321 996 $aThe bronze screen$92471697 997 $aUNINA 999 $p$33.00$u10/06/2017$5Eng LEADER 01529nam 2200373Ia 450 001 996385043903316 005 20221108072619.0 035 $a(CKB)4940000000074513 035 $a(EEBO)2240892741 035 $a(OCoLC)12001024 035 $a(EXLCZ)994940000000074513 100 $a19850506d1645 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 02$aA moderate ansvver to Mr. Prins full reply to Certaine observations on his first twelve questions$b[electronic resource] $evvherein all his reasons and obiections are candidly examined and refuted : a short description of the congregationall way discovered : some arguments for indulgence tender consciences modestly propounded /$fby the Same Author 210 $aLondon $cPrinted for Benjamin Allen ...$d1645 215 $a[2], 48 p 300 $aAttributed to Henry Robinson in NUC pre-1956 and John Goodwin in Halkett and Laing. 300 $aReproduction of original in Thomason Collection, British Library. 330 $aeebo-0158 606 $aChurch polity 607 $aGreat Britain$xHistory$yPuritan Revolution, 1642-1660 615 0$aChurch polity. 701 $aGoodwin$b John$f1594?-1665.$0253216 701 $aRobinson$b Henry$f1605?-1664?$0322286 801 0$bEAA 801 1$bEAA 801 2$bm/c 801 2$bUMI 801 2$bWaOLN 906 $aBOOK 912 $a996385043903316 996 $aA moderate ansvver to Mr. Prins full reply to Certaine observations on his first twelve questions$92357216 997 $aUNISA