LEADER 03953nam 22007212 450 001 9910457834903321 005 20151005020624.0 010 $a1-107-16799-X 010 $a1-280-75058-8 010 $a0-511-26967-6 010 $a0-511-27023-2 010 $a0-511-26815-7 010 $a0-511-32296-8 010 $a0-511-48422-4 010 $a0-511-26882-3 035 $a(CKB)1000000000352178 035 $a(EBL)288508 035 $a(OCoLC)161943125 035 $a(SSID)ssj0000275174 035 $a(PQKBManifestationID)11213618 035 $a(PQKBTitleCode)TC0000275174 035 $a(PQKBWorkID)10331421 035 $a(PQKB)11466234 035 $a(UkCbUP)CR9780511484223 035 $a(MiAaPQ)EBC288508 035 $a(Au-PeEL)EBL288508 035 $a(CaPaEBR)ebr10159206 035 $a(CaONFJC)MIL75058 035 $a(EXLCZ)991000000000352178 100 $a20090224d2007|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aWriting against revolution $eliterary conservatism in Britain, 1790-1832 /$fKevin Gilmartin$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2007. 215 $a1 online resource (xii, 316 pages) $cdigital, PDF file(s) 225 1 $aCambridge studies in Romanticism ;$v69 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-14219-9 311 $a0-521-86113-6 320 $aIncludes bibliographical references and index. 327 $aIntroduction: reconsidering counterrevolutionary expression -- In the theater of counterrevolution: loyalist association and vernacular address -- "Study to be quiet": Hannah More and counterrevolutionary moral reform -- Reviewing subversion: the function of criticism at the present crisis -- Subverting fictions: the counterrevolutionary form of the novel -- Southey, Coleridge, and the end of anti-Jacobinism in Britain. 330 $aConservative culture in the Romantic period should not be understood merely as an effort to preserve the old regime in Britain against the threat of revolution. Instead, conservative thinkers and writers aimed to transform British culture and society to achieve a stable future in contrast to the destructive upheavals taking place in France. Kevin Gilmartin explores the literary forms of counterrevolutionary expression in Britain, showing that while conservative movements were often inclined to treat print culture as a dangerously unstable and even subversive field, a whole range of print forms - ballads, tales, dialogues, novels, critical reviews - became central tools in the counterrevolutionary campaign. Beginning with the pamphlet campaigns of the loyalist Association movement and the Cheap Repository in the 1790s, Gilmartin analyses the role of periodical reviews and anti-Jacobin fiction in the campaign against revolution, and closes with a fresh account of the conservative careers of Robert Southey and Samuel Taylor Coleridge. 410 0$aCambridge studies in Romanticism ;$v69. 606 $aConservatism and literature$zGreat Britain$xHistory$y19th century 606 $aCounterrevolutions$zGreat Britain$xHistory$y19th century 606 $aPress and politics$zGreat Britain$xHistory$y19th century 607 $aGreat Britain$xHistory$yGeorge III, 1760-1820 607 $aGreat Britain$xHistory$yGeorge IV, 1820-1830 607 $aFrance$xHistory$yRevolution, 1789-1799$xLiterature and the revolution 615 0$aConservatism and literature$xHistory 615 0$aCounterrevolutions$xHistory 615 0$aPress and politics$xHistory 676 $a820.9/358 700 $aGilmartin$b Kevin$f1963-$0682060 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910457834903321 996 $aWriting against revolution$91903605 997 $aUNINA