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100   $a20120214d2012      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe business of the novel$b[electronic resource] $eeconomics, aesthetics and the case of Middlemarch /$fby Simon R. Frost
205   $a1st ed.
210   $aLondon $cPickering & Chatto$d2012
215   $a1 online resource (257 p.)
225 1 $aLiterary texts and the popular marketplace ;$vno. 1
300   $aDescription based upon print version of record.
311   $a1-78144-274-6 
311   $a1-84893-194-8 
320   $aIncludes bibliographical references and index.
327   $aAcknowledgements; List of Figures and Tables; Abbreviation; Introduction; Coordination of Economic and Aesthetic Practices; Coordination of Economic and Aesthetic Discourses; End-Users and Readers; Shoppers; Contextual Wants; A Commodity Reading of Middlemarch; Good for the Audience; Rival Books and Products; Conclusion; Notes; Works Cited; Index
330   $aThis study shows how aesthetics and economics have been combined in a great work of literature. Frost examines the history of Middlemarch's composition and publication within the context of Victorian demand, then goes on to consider the interpretation, reception and consumption of the book.
410  0$aLiterary texts and the popular marketplace ;$vno. 1.
606   $aEconomics and literature$zGreat Britain$xHistory$y19th century
606   $aLiterature publishing$zGreat Britain$xHistory$y19th century
606   $aAuthors and readers$zGreat Britain$xHistory$y19th century
608   $aElectronic books.
615  0$aEconomics and literature$xHistory
615  0$aLiterature publishing$xHistory
615  0$aAuthors and readers$xHistory
676   $a823.8
700   $aFrost$b Simon R$0973795
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906   $aBOOK
912   $a9910457795703321
996   $aThe business of the novel$92216295
997   $aUNINA