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200 00$aApproaches to meaning in music$b[electronic resource] /$fedited by Byron Alme?n and Edward Pearsall
210   $aBloomington $cIndiana University Press$dc2006
215   $a1 online resource (250 p.)
225 1 $aMusical meaning and interpretation
300   $aDescription based upon print version of record.
311   $a0-253-34792-0 
320   $aIncludes bibliographical references (p. [215]-226) and index.
327   $aThe divining rod : on imagination, interpretation, and analysis / Edward Pearsall and Byron Alme?n -- Anatomy of a gesture : from Davidovsky to Chopin and back / Patrick McCreless -- Anti-teleological art : articulating meaning through silence / Edward Pearsall -- The troping of temporality in music / Robert S. Hatten -- A simple model for associative musical meaning / J. Peter Burkholder -- Uncanny moments : juxtaposition and the collage principle in music / Nicholas Cook -- The sacrificed hero : creative mythopoesis in Mahler's Wunderhorn symphonies / Byron Alme?n -- Contingencies of meaning in transcriptions and excerpts : popularizing Samson et Dalila / Jann Pasler.
330   $aApproaches to Meaning in Music presents a survey of the problems and                issues inherent in pursuing meaning and signification in music, and attempts to                rectify the conundrums that have plagued philosophers, artists, and theorists since                the time of Pythagoras. This collection brings together essays that reflect a                variety of diverse perspectives on approaches to musical meaning. Established music                theorists and musicologists cover topics including musical aspect and temporality,                collage, borrowing and associ
410  0$aMusical meaning and interpretation.
606   $aMusic$xPhilosophy and aesthetics
606   $aMusic$xSemiotics
606   $aMusical analysis
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615  0$aMusic$xPhilosophy and aesthetics.
615  0$aMusic$xSemiotics.
615  0$aMusical analysis.
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702   $aPearsall$b Edward$f1954-$4edt$4ctb
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