LEADER 01155nam--2200397---450- 001 990002450900203316 005 20090611111945.0 010 $a90-5701-112-3 035 $a000245090 035 $aUSA01000245090 035 $a(ALEPH)000245090USA01 035 $a000245090 100 $a20050713d2004----km-y0itay0103----ba 101 $aeng 102 $aGB 105 $aa|||||||001yy 200 1 $aLooking in$ethe art of viewing$fMieke Bal, essays and afterword$gintroduction Norman Bryson 210 $aLondon and New York$cRoutledge$d2004 215 $aVIII, 298 p.$cill.$d23 cm 225 2 $aCritical voices in art, theory and culture 410 0$12001$aCritical voices in art, theory and culture 454 1$12001 461 1$1001-------$12001 606 0 $aArte$xStoria 676 $a709 700 1$aBAL,$bMieke$0131246 702 1$aBRYSON,$bNorman 801 0$aIT$bsalbc$gISBD 912 $a990002450900203316 951 $aVII.5.11$b7191 DSLL 959 $aBK 969 $aDSLL 979 $aDSLL1$b90$c20050713$lUSA01$h1427 979 $aDSLL$b90$c20090611$lUSA01$h1119 996 $aLooking in$91058089 997 $aUNISA LEADER 03311nam 22006612 450 001 9910457720003321 005 20151005020622.0 010 $a1-107-15017-5 010 $a1-280-51615-1 010 $a0-511-21436-7 010 $a0-511-21615-7 010 $a0-511-21078-7 010 $a0-511-31505-8 010 $a0-511-48170-5 010 $a0-511-21255-0 035 $a(CKB)1000000000353014 035 $a(EBL)266623 035 $a(OCoLC)560240424 035 $a(SSID)ssj0000196213 035 $a(PQKBManifestationID)11166524 035 $a(PQKBTitleCode)TC0000196213 035 $a(PQKBWorkID)10142278 035 $a(PQKB)11106067 035 $a(UkCbUP)CR9780511481703 035 $a(MiAaPQ)EBC266623 035 $a(Au-PeEL)EBL266623 035 $a(CaPaEBR)ebr10131734 035 $a(CaONFJC)MIL51615 035 $a(EXLCZ)991000000000353014 100 $a20090216d2004|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMaking words sing $enineteenth- and twentieth-century song /$fJonathan Dunsby$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2004. 215 $a1 online resource (x, 153 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-12046-2 311 $a0-521-83661-1 320 $aIncludes bibliographical references (p. 143-149) and index. 327 $aAn introduction with no words, with intended words, and untheory -- A love song : Brahms's 'Von ewiger Liebe' -- Boundless opulence : postscripts on Schoenberg's premonition -- Interlude on peace, laws, flowers, and men flying -- To Amherst via Vienna -- By way of brief conclusion. 330 $aWhat makes a classical song a song? In a wide-ranging 2004 discussion, covering such contrasting composers as Brahms and Berberian, Schubert and Kurta?g, Jonathan Dunsby considers the nature of vocality in songs of the nineteenth and twentieth centuries. The essence and scope of poetic and literary meaning in the Lied tradition is subjected to close scrutiny against the backdrop of 'new musicological' thinking and music-theoretical orthodoxies. The reader is thus offered the best insights available within an evidence-based approach to musical discourse. Schoenberg figures conspicuously as both songsmith and theorist, and some easily comprehensible Schenkerian approaches are used to convey ideas of musical time and expressive focus. In this work of scholarship and theoretical depth, Professor Dunsby's highly original approach and engaging style will ensure its appeal to all practising musicians and students of Romantic and modern music. 606 $aSongs$xAnalysis, appreciation 606 $aSongs$y19th century$xHistory and criticism 606 $aSongs$y20th century$xHistory and criticism 615 0$aSongs$xAnalysis, appreciation. 615 0$aSongs$xHistory and criticism. 615 0$aSongs$xHistory and criticism. 676 $a782.42168 700 $aDunsby$b Jonathan$01037739 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910457720003321 996 $aMaking words sing$92458889 997 $aUNINA