LEADER 02700nam 2200625 a 450 001 9910457713103321 005 20200520144314.0 010 $a1-283-31008-2 010 $a1-77922-166-5 010 $a9786613310088 010 $a1-77922-167-3 010 $a1-77922-165-7 035 $a(CKB)2550000000063172 035 $a(EBL)1135273 035 $a(OCoLC)775863522 035 $a(SSID)ssj0000675158 035 $a(PQKBManifestationID)11396010 035 $a(PQKBTitleCode)TC0000675158 035 $a(PQKBWorkID)10668453 035 $a(PQKB)11789110 035 $a(MiAaPQ)EBC1135273 035 $a(MdBmJHUP)muse22131 035 $a(PPN)187343152 035 $a(Au-PeEL)EBL1135273 035 $a(CaPaEBR)ebr10509295 035 $a(CaONFJC)MIL331008 035 $a(EXLCZ)992550000000063172 100 $a20111107d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aWhen a state turns on its citizens$b[electronic resource] $e60 years of institutionalised violence in Zimbabwe /$fLloyd Sachikonye 210 $aZimbabwe $cWeaver Press$d2011 215 $a1 online resource (146 p.) 300 $aDescription based upon print version of record. 311 $a1-77922-164-9 320 $aIncludes bibliographical references. 327 $aBackground, history and patterns of political violence -- Political violence and the scramble for resources -- Systemic violence and the 2008 election -- Violence and political culture -- Wider impact of political violence on society. 330 $aLloyd Sachikonye traces the roots of Zimbabwe's contemporary violence to the actions of the Rhodesian armed forces, and the inter-party conflicts that occurred during the liberation war. His focus, however, is the period since 2000, which has seen state-sponsored violence erupting in election campaigns and throughout the programme of fast-track land reform. The consequences of this violence run wide and deep. Aside from inflicting trauma and fear on its victims, the impunity enjoyed by its perpetrators has helped to mould a culture within which personal freedoms and dreams are strangled. At a 606 $aPolitical violence$zZimbabwe 606 $aPolitical persecution$zZimbabwe 607 $aZimbabwe$xPolitics and government$y2000-2008 608 $aElectronic books. 615 0$aPolitical violence 615 0$aPolitical persecution 700 $aSachikonye$b Lloyd$0870735 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910457713103321 996 $aWhen a state turns on its citizens$91996197 997 $aUNINA LEADER 04007nam 22007455 450 001 9910502621003321 005 20230810173828.0 010 $a9783030859848 010 $a3030859843 024 7 $a10.1007/978-3-030-85984-8 035 $a(CKB)4100000012038140 035 $a(MiAaPQ)EBC6738547 035 $a(Au-PeEL)EBL6738547 035 $a(OCoLC)1287130524 035 $a(DE-He213)978-3-030-85984-8 035 $a(EXLCZ)994100000012038140 100 $a20210930d2021 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aWays of Seeing in the Neoliberal State $eA Controversial Play and Its Contexts /$fby Asbjørn Skarsvåg Grønstad 205 $a1st ed. 2021. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2021. 215 $a1 online resource (121 pages) 300 $aIncludes index. 311 08$a9783030859831 311 08$a3030859835 327 $a1. Introduction: The public confronts other ways of seeing -- 2. New Ways of Seeing: The Judicial -- 3. Censorship and Free Speech: The Aesthetic -- 4. Neoliberalism and Rojava: The Political. 330 $aThis book focuses on the theme of counter-surveillance in art through a multi-faceted engagement with the highly controversial Norwegian play Ways of Seeing. Denounced by the prime minister and subject to a police investigation, the play gained notoriety when it featured footage showing the homes of the country's financial and political elite as part of its scenography. The book provides a thorough consideration of the work's reception context before elucidating its relation to the politics of neoliberalism. What is foregrounded in this analysis are, first, the use of an aesthetics of sousveillance to visualize the material infrastructure of racism and right-wing populism, second, the tangled interrelations of art and law, third, questions of censorship and artistic freedom, and fourth, the promotion of an alternative mode of political governance - grounded in feminism and ecological awareness - through the example of the Rojava experiment. Asbjørn Skarsvåg Grønstad is a film scholar and professor of Visual Culture in the Department of Information Science and Media Studies, University of Bergen, Norway. He is founding director of the Nomadikon Center for Visual Culture and the author/editor of eleven books, the most recent of which are the co-edited collection Gestures of Seeing in Film, Video and Drawing (2016), Film and the Ethical Imagination (2016), Invisibility in Visual and Material Culture (co-edited with Øyvind Vågnes, 2019), and Rethinking Art and Visual Culture: The Poetics of Opacity (2020). Grønstad is also a founding editor of the peer-reviewed journal Ekphrasis: Nordic Journal of Visual Culture. 606 $aPerforming arts 606 $aTheater 606 $aCulture$xStudy and teaching 606 $aArt$xHistory 606 $aCommunication 606 $aInformation theory 606 $aPolitical science 606 $aTheatre and Performance Arts 606 $aVisual Culture 606 $aArt History 606 $aMedia and Communication Theory 606 $aPolitical Science 615 0$aPerforming arts. 615 0$aTheater. 615 0$aCulture$xStudy and teaching. 615 0$aArt$xHistory. 615 0$aCommunication. 615 0$aInformation theory. 615 0$aPolitical science. 615 14$aTheatre and Performance Arts. 615 24$aVisual Culture. 615 24$aArt History. 615 24$aMedia and Communication Theory. 615 24$aPolitical Science. 676 $a791.43023 676 $a621.38928 700 $aGrønstad$b Asbjørn$0800803 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910502621003321 996 $aWays of seeing in the neoliberal state$92894461 997 $aUNINA