LEADER 02561nam 2200637Ia 450 001 9910457634603321 005 20200520144314.0 010 $a1-283-24437-3 010 $a9786613244376 010 $a0-252-09340-2 035 $a(CKB)2550000000089041 035 $a(OCoLC)756582683 035 $a(CaPaEBR)ebrary10532401 035 $a(SSID)ssj0000544292 035 $a(PQKBManifestationID)11355005 035 $a(PQKBTitleCode)TC0000544292 035 $a(PQKBWorkID)10534931 035 $a(PQKB)10671805 035 $a(MiAaPQ)EBC3413929 035 $a(StDuBDS)EDZ0000649219 035 $a(MdBmJHUP)muse23672 035 $a(Au-PeEL)EBL3413929 035 $a(CaPaEBR)ebr10532401 035 $a(CaONFJC)MIL324437 035 $a(OCoLC)923493823 035 $a(EXLCZ)992550000000089041 100 $a20110201d2011 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMike Leigh$b[electronic resource] /$fSean O'Sullivan 210 $aUrbana $cUniversity of Illinois Press$dc2011 215 $a1 online resource (209 p.) 225 1 $aContemporary film directors 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-252-07819-5 311 $a0-252-03638-7 320 $aIncludes filmography. 320 $aIncludes bibliographical references and index. 327 $aThe nature of contrivance. How to watch a Mike Leigh movie: The short and Curlies -- Biography and career outline -- Character and plot: Meantime and Four days in July -- Art and narrative: Naked and Secrets and Lies -- Topsy-turvy girls, career boys: Career girls and Topsy-turvy -- Vera's fingers: All or Nothing and Vera Drake -- Five lessons, Four seasons: Happy-go-lucky and Another year -- Interview with Mike Leigh. 330 8 $aAn examination of the work of Mike Leigh, Sean O'Sullivan illuminates the visual tropes and storytelling investigations that position Leigh as an experimental filmmaker who uses the art and artifice of cinema to frame tales of the everyday and the extraordinary alike. 410 0$aContemporary film directors. 606 $aMotion picture producers and directors$vBiography 608 $aElectronic books. 615 0$aMotion picture producers and directors 676 $a791.43/0233092 700 $aO'Sullivan$b Sean$f1965-$0996706 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910457634603321 996 $aMike Leigh$92285281 997 $aUNINA