LEADER 03881oam 2200649I 450 001 9910457618403321 005 20200520144314.0 010 $a1-134-58502-0 010 $a1-134-58503-9 010 $a1-280-13851-3 010 $a0-203-99509-0 024 7 $a10.4324/9780203995099 035 $a(CKB)1000000000360527 035 $a(EBL)235074 035 $a(OCoLC)475942075 035 $a(SSID)ssj0000289161 035 $a(PQKBManifestationID)11911054 035 $a(PQKBTitleCode)TC0000289161 035 $a(PQKBWorkID)10401479 035 $a(PQKB)11692194 035 $a(MiAaPQ)EBC235074 035 $a(Au-PeEL)EBL235074 035 $a(CaPaEBR)ebr10099443 035 $a(CaONFJC)MIL13851 035 $a(OCoLC)61367611 035 $a(EXLCZ)991000000000360527 100 $a20180331d2002 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aArt history and its institutions $efoundations of a disciple /$fedited by Elizabeth Mansfield 210 1$aLondon ;$aNew York :$cRoutledge :$cTaylor & Francis Group,$d2002. 215 $a1 online resource (344 pages) 300 $aDescription based upon print version of record. 311 $a0-415-22869-7 311 $a0-415-22868-9 320 $aIncludes bibliographical references and index. 327 $aBook Cover; Title; Contents; List of illustrations; Notes on contributors; Introduction; Art history and modernism; Hearing the unsaid: art history, museology, and the composition of the self; From Boullee to Bilbao: the museum as utopian space; Marburg, Harvard, and purpose-built architecture for art history, 1927; Viollet-le-Duc and Taine at the cole des Beaux-Arts: on the first professorship of art history in France; Colonizing culture: the origins of art history in Australia; Deep innovation and mere eccentricity: six case studies of innovation in art history 327 $aThe taste of angels in the art of darkness: fashioning the canon of African artTradesmen as scholars: interdependencies in the study and exchange of art; How canons disappear: the case of Henri Regnault; Using art history: the Louvre and its public persona, 1848-52; Silent moves: on excluding the ethnographic subject from the discourse of art history; Art history on the academic fringe: Taine's philosophy of art; ""For Connoisseurs"": The Burlington Magazine 1903-11; Photographic perspectives: photography and the institutional formation of art history 327 $aInstituting genius: the formation of biographical art history in FranceA preponderance of practical problems: discourse institutionalized and the history of art in the United States between 1876 and 1888; Emancipation and the Freed in American Sculpture: race, representation, and the beginnings of an African American history of art; Art photography, history, and aesthetics; Index 330 $aArt History and Its Institutions focuses on the institutional discourses that shaped and continue to shape the field from its foundations in the nineteenth century. From museums and universities to law courts, labour organizations and photography studios, contributors examine a range of institutions, considering their impact on movements such as modernism; their role in conveying or denying legitimacy; and their impact on defining the parameters of the discipline. 606 $aArt, Modern$y19th century$xHistory 606 $aArt, Modern$y19th century$xSocieties, etc 608 $aElectronic books. 615 0$aArt, Modern$xHistory. 615 0$aArt, Modern$xSocieties, etc. 676 $a709.034 701 $aMansfield$b Elizabeth$0166710 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910457618403321 996 $aArt history and its institutions$92150593 997 $aUNINA LEADER 02915nam 2200589 a 450 001 9910437818303321 005 20200520144314.0 010 $a1-283-91082-9 010 $a4-431-54064-4 024 7 $a10.1007/978-4-431-54064-9 035 $a(CKB)2670000000309377 035 $a(EBL)1083410 035 $a(OCoLC)823727015 035 $a(SSID)ssj0000811684 035 $a(PQKBManifestationID)11433734 035 $a(PQKBTitleCode)TC0000811684 035 $a(PQKBWorkID)10850517 035 $a(PQKB)11377446 035 $a(DE-He213)978-4-431-54064-9 035 $a(MiAaPQ)EBC1083410 035 $a(PPN)168332329 035 $a(EXLCZ)992670000000309377 100 $a20121115d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aProgress in advanced structural and functional materials design /$fTomoyuki Kakeshita, editor 205 $a1st ed. 2013. 210 $aTokyo ;$aNew York $cSpringer$dc2013 215 $a1 online resource (286 p.) 300 $aDescription based upon print version of record. 311 $a4-431-54747-9 311 $a4-431-54063-6 320 $aIncludes bibliographical references and index. 327 $apt. 1. Advanced materials research project for structural applications -- pt. 2. Advanced materials research project for combined structural and functional applications -- pt. 3. Advanced materials research project for functional applications. 330 $aThis book describes clearly various research topics investigated for these 10 years in the Research Center of Advanced Structural and Functional Materials Design in Osaka University, Japan. Every chapter is aimed at understanding most advanced researches in materials science by describing its fundamentals and details as much as possible. Since both general explanations and cutting-edge commentaries are given for each topic in this book, it provides a lot of useful information for ordinary readers as well as materials scientists & engineers who wish to understand the future development in materials science fields of metals, alloys, ceramics, semiconductors etc.  In particular, this book deals with special fusion area of structural and functional materials such as medical bone materials, of which contents are very unique features as materials science textbook. 606 $aStructural design 606 $aMaterials$xDesign 615 0$aStructural design. 615 0$aMaterials$xDesign. 676 $a620.11 701 $aKakeshita$b Tomoyuki$01757497 712 02$aGlobal COE Program "Center of Excellence for Advanced Structural and Functional Materials Design." 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910437818303321 996 $aProgress in advanced structural and functional materials design$94195370 997 $aUNINA