LEADER 03764oam 2200673I 450 001 9910457612603321 005 20200520144314.0 010 $a1-134-46379-0 010 $a1-280-14204-9 010 $a0-203-98783-7 024 7 $a10.4324/9780203987834 035 $a(CKB)1000000000360367 035 $a(EBL)237356 035 $a(OCoLC)60788519 035 $a(SSID)ssj0000207016 035 $a(PQKBManifestationID)11180056 035 $a(PQKBTitleCode)TC0000207016 035 $a(PQKBWorkID)10246516 035 $a(PQKB)10528879 035 $a(SSID)ssj0000303805 035 $a(PQKBManifestationID)11947603 035 $a(PQKBTitleCode)TC0000303805 035 $a(PQKBWorkID)10276719 035 $a(PQKB)10725069 035 $a(MiAaPQ)EBC237356 035 $a(Au-PeEL)EBL237356 035 $a(CaPaEBR)ebr10097353 035 $a(CaONFJC)MIL14204 035 $a(EXLCZ)991000000000360367 100 $a20180706d2003 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aMuseums and source communities $ea Routledge reader /$fedited by Laura Peers and Alison K. Brown 210 1$aLondon ;$aNew York :$cRoutledge,$d2003. 215 $a1 online resource (288 p.) 300 $aDescription based upon print version of record. 311 $a0-415-28052-4 311 $a0-415-28051-6 320 $aIncludes bibliographical references (p. 252-273) and index. 327 $aYup'ik elders in museums: fieldwork turned on its head -- The object in view: Aborigines, Melanesians, and museums -- The Arts of the Sikh Kingdoms: collaborating with a community -- Integrating Native views into museum procedures: hope and practice at the National Museum of the American Indian -- Taking the photographs home: the recovery of a Ma?ori history -- Looking to see: reflections on visual repatriation in the Purari Delta, Gulf Province, Papua New Guinea, Remebering our namesakes: audience reactions to archival film of King Island, Alaska -- Snapshots on the dreaming: photographs of the past and present -- How to decorate a house: the renegotiaition of cultural representations at the University of British Columbia Museum of Anthropology -- Curating African Worlds -- Objects, agency and museums: continuing dialogues between the Torres Strait and Cambridge -- Transforming archaeology through practice: strategies for collaborative archaeology and the Community Archaeology Project at Quseir, Egypt -- Glenbow's Blackfoot Gallery: working towards co-existence. 330 $aThis volume combines some of the most influential published research in this emerging field with newly commissioned essays on the issues, problems and lessons involved in collaborating museums and source communities.Focusing on museums in the UK, North America and the Pacific, the book highlights three areas which demonstrate the new developments most clearly:the museum as field site or 'contact zone' - a place which source community members enter for purposes of consultation and collaborationvisual repatriation - the use of photography to return images of ances 606 $aEthnological museums and collections$xSocial aspects 606 $aMuseums$xAcquisitions$xSocial aspects 608 $aElectronic books. 615 0$aEthnological museums and collections$xSocial aspects. 615 0$aMuseums$xAcquisitions$xSocial aspects. 676 $a305.8/0074 701 $aBrown$b Alison K$g(Alison Kay),$f1971-$0937694 701 $aPeers$b Laura L$g(Laura Lynn)$0937695 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910457612603321 996 $aMuseums and source communities$92112372 997 $aUNINA