LEADER 02502nam 2200553 a 450 001 9910457586903321 005 20200520144314.0 010 $a0-253-11147-1 035 $a(CKB)1000000000362365 035 $a(EBL)268933 035 $a(OCoLC)475995034 035 $a(SSID)ssj0000122308 035 $a(PQKBManifestationID)11135250 035 $a(PQKBTitleCode)TC0000122308 035 $a(PQKBWorkID)10123853 035 $a(PQKB)10513936 035 $a(MiAaPQ)EBC268933 035 $a(OCoLC)71322046 035 $a(MdBmJHUP)muse16697 035 $a(Au-PeEL)EBL268933 035 $a(CaPaEBR)ebr10137809 035 $a(OCoLC)437171679 035 $a(EXLCZ)991000000000362365 100 $a20050811d2006 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCinephilia and history, or, The wind in the trees$b[electronic resource] /$fChristian Keathley 210 $aBloomington $cIndiana University Press$dc2006 215 $a1 online resource (233 p.) 300 $aDescription based upon print version of record. 311 $a0-253-34648-7 320 $aIncludes bibliographical references (p. 179-207) and index. 327 $a1. The desire for cinema -- 2. The cinephiliac moment and panoramic perception -- 3. Andre? Bazin and the revelatory potential of cinema -- 4. Cahiers du cine?ma and the way of looking -- 5. Film and the limits of history -- 6. A cinephiliac history -- 7. Five cinephiliac anecdotes. 330 $aCinephilia and History, or The Wind in the Trees is in part a history of cinephilia, in part an attempt to recapture the spirit of cinephilia for the discipline of film studies, and in part an experiment in cinephilic writing.Cinephiles have regularly fetishized contingent, marginal details in the motion picture image: the gesture of a hand, the wind in the trees. Christian Keathley demonstrates that the spectatorial tendency that produces such cinematic encounters -- a viewing practice marked b 606 $aMotion pictures 608 $aElectronic books. 615 0$aMotion pictures. 676 $a791.43/09 700 $aKeathley$b Christian$01046629 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910457586903321 996 $aCinephilia and history, or, The wind in the trees$92473660 997 $aUNINA