LEADER 04680nam 22006732 450 001 9910457560103321 005 20151005020622.0 010 $a1-107-14535-X 010 $a1-280-45769-4 010 $a0-511-18499-9 010 $a0-511-61660-0 010 $a0-511-18582-0 010 $a0-511-18766-1 010 $a0-511-31372-1 010 $a0-511-18673-8 035 $a(CKB)1000000000353631 035 $a(EBL)256661 035 $a(OCoLC)437164383 035 $a(SSID)ssj0000280495 035 $a(PQKBManifestationID)11228865 035 $a(PQKBTitleCode)TC0000280495 035 $a(PQKBWorkID)10290942 035 $a(PQKB)10381427 035 $a(UkCbUP)CR9780511616600 035 $a(MiAaPQ)EBC256661 035 $a(Au-PeEL)EBL256661 035 $a(CaPaEBR)ebr10124711 035 $a(CaONFJC)MIL45769 035 $a(EXLCZ)991000000000353631 100 $a20090915d2004|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe "I" of the camera $eessays in film criticism, history, and aesthetics /$fWilliam Rothman$b[electronic resource] 205 $aSecond edition. 210 1$aCambridge :$cCambridge University Press,$d2004. 215 $a1 online resource (xxxii, 389 pages) $cdigital, PDF file(s) 225 1 $aCambridge studies in film 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-52724-4 311 $a0-521-82022-7 327 $aCover; Half-title; Title; Copyright; Dedication; Contents; Foreword to the Second Edition; Preface to the First Edition; Acknowledgments; Notes on the Essays; CHAPTER 1 Hollywood Reconsidered: Reflections on the Classical American Cinema; CHAPTER 2 D. W. Griffith and the Birth of the Movies; CHAPTER 3 Judith of Bethulia; CHAPTER 4 True Heart Griffith; CHAPTER 5 The Ending of City Lights; CHAPTER 6 The Goddess: Reflections on Melodrama East and West; CHAPTER 7 Red Dust: The Erotic Screen Image; CHAPTER 8 Virtue and Villainy in the Face of the Camera 327 $aCHAPTER 9 Pathos and Transfiguration in the Face of the Camera: A Reading of Stella Dallas CHAPTER 10 Viewing the World in Black and White: Race and the Melodrama of the Unknown Woman; CHAPTER 11 Howard Hawks and Bringing Up Baby; CHAPTER 12 The Film maker in the Film: Octave and the Rules of Renoir's Game; CHAPTER 13 Stagecoach and the Quest for Self hood; CHAPTER 14 To Have and Have Not Adapted a Film from a Novel; CHAPTER 15 Hollywood and the Rise of Suburbia; CHAPTER 16 Nobody's Perfect: Billy Wilder and the Postwar American Cinema; CHAPTER 17 The River 327 $aCHAPTER 18 Vertigo: The Unknown Woman in Hitchcock CHAPTER 19 North by Northwest: Hitchcock's Monument to the Hitchcock Film; CHAPTER 20 The Villain in Hitchcock: "Does He Look Like a 'Wrong One' to You?"; CHAPTER 21 Thoughts on Hitchcock's Authorship; CHAPTER 22 Eternal Ve?rite?s: Cinema-Ve?rite? and Classical Cinema; CHAPTER 23 Visconti's Death in Venice; CHAPTER 24 Alfred Guzzetti's Family Portrait Sittings; CHAPTER 25 A Taste for Beauty: Eric Rohmer's Writings on Film; CHAPTER 26 Tale of Winter: Philosophical Thought in the Films of Eric Rohmer; CHAPTER 27 The "New Latin American Cinema" 327 $aCHAPTER 28 Violence and Film CHAPTER 29 What Is American about American Film Study?; Index 330 $aThe 'I' of the Camera has become a classic in the literature of film. Offering alternatives to the viewing and criticism of film, William Rothman challenges readers to think about film in adventurous ways that are more open to movies and our experience of them. In a series of eloquent essays examining particular films, filmmakers, genres and movements, and the 'Americanness' of American film, Rothman argues compellingly that movies have inherited the philosophical perspective of American transcendentalism. This second edition contains all of the essays that made the book a benchmark of film criticism. It also includes fourteen essays, written subsequent to the book's original publication, as well as a new foreword. The new chapters further broaden the scope of the volume, fleshing out its vision of film history and illuminating the author's critical method and the philosophical perspective that informs it. 410 0$aCambridge studies in film. 606 $aMotion pictures 615 0$aMotion pictures. 676 $a791.43 700 $aRothman$b William$0552058 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910457560103321 996 $aThe "I" of the camera$91887308 997 $aUNINA LEADER 04060nam 2200625 450 001 996217917903316 005 20210513212337.0 010 $a3-11-041582-8 010 $a3-11-041586-0 024 7 $a10.1515/9783110415827 035 $a(CKB)3710000000438911 035 $a(EBL)1880393 035 $a(SSID)ssj0001497070 035 $a(PQKBManifestationID)12616570 035 $a(PQKBTitleCode)TC0001497070 035 $a(PQKBWorkID)11489376 035 $a(PQKB)10630952 035 $a(MiAaPQ)EBC1880393 035 $a(DE-B1597)450030 035 $a(OCoLC)915042481 035 $a(DE-B1597)9783110415827 035 $a(Au-PeEL)EBL1880393 035 $a(CaPaEBR)ebr11072592 035 $a(CaONFJC)MIL808501 035 $a(OCoLC)913797082 035 $a(PPN)188000747 035 $a(EXLCZ)993710000000438911 100 $a20150716h20152015 uy 0 101 0 $aeng 135 $aurun#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aAncient Greek verb-initial compounds $etheir diachronic development within the Greek compound system /$fOlga Tribulato 210 1$aBerlin, Germany ;$aBoston, Massachusetts :$cDe Gruyter,$d2015. 210 4$d©2015 215 $a1 online resource (478 p.) 300 $aDescription based upon print version of record. 311 $a3-11-041576-3 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tPreface and Acknowledgements --$tContents --$tList of Tables --$tAbbreviations --$tIntroduction --$tChapter One. Compounding and the Classification of Compounds --$tChapter Two. The Compound Categories of Ancient Greek --$tChapter Three. The Study of Ancient Greek and Indo-European V1 Compounds in the Last Two Centuries --$tChapter Four. The Historical Perspective: PIE Background and Development of V1 Compounds in Early Greek --$tChapter Five. The Analysis of V1 Compounds Within the Greek Compound System. Part I: V1 Compounds Without V2 Counterparts --$tChapter Six. The Analysis of V1 Compounds Within the Greek Compound System. Part II: V1 Compounds With a V2 Counterpart --$tConclusion. V1 Formations and the system of verbal compounds in Ancient Greek Conclusion --$tAppendix. Corpus of V1 Compounds, Their Base Verbs, First Constituents, Corresponding Agent Nouns and V2 Compounds --$tBibliography --$tIndex 330 $aThis book provides a brand new treatment of Ancient Greek (AG) verb-first (V1) compounds. In AG, the very existence of this type is surprising: its left-oriented structure goes against the right-oriented structure of the compound system, in which there also exists a large class of verb-final (V2) compounds (many of which express the same agentive semantics). While past studies have privileged either the historical dimension or the assessment of semantic and stylistic issues over a systematic analysis of V1 compounds, this book provides a comprehensive corpus of appellative and onomastic forms, which are studied vis-à-vis V2 ones. The diachronic dimension (how these compounds developed from late PIE to AG and then within AG) is combined with the synchronic one (how they are used in specific contexts) in order to show that, far from being anomalous, V1 compounds fill lexical gaps that could not, for specified morphological and semantic reasons, be filled by more ?regular? V2 ones. Introductory chapters on compounding in morphological theory and in AG place the multi-faceted approach of this book in a modern perspective, highlighting the importance of AG for linguists debating the properties of the V1 type cross-linguistically. 606 $aGreek language$xVerb 606 $aGreek language$xCompound words 615 0$aGreek language$xVerb. 615 0$aGreek language$xCompound words. 676 $a485/.6 700 $aTribulato$b Olga$f1975-$01013418 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996217917903316 996 $aAncient Greek verb-initial compounds$92356708 997 $aUNISA