LEADER 03056nam 2200721 a 450 001 9910457559203321 005 20220207234551.0 010 $a1-280-66361-8 010 $a9786613640543 010 $a1-61148-423-5 035 $a(CKB)2550000000084264 035 $a(EBL)858967 035 $a(OCoLC)775872955 035 $a(SSID)ssj0000611287 035 $a(PQKBManifestationID)12265294 035 $a(PQKBTitleCode)TC0000611287 035 $a(PQKBWorkID)10645066 035 $a(PQKB)11770384 035 $a(MiAaPQ)EBC858967 035 $a(Au-PeEL)EBL858967 035 $a(CaPaEBR)ebr10538128 035 $a(CaONFJC)MIL364054 035 $a(EXLCZ)992550000000084264 100 $a20111019d2012 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAfro-Cuban identity in post-revolutionary novel and film$b[electronic resource] $einclusion, loss, and cultural resistance /$fAndrea Easley Morris 210 $aLanham, Md. $cBucknell University Press $cCo-published with The Rowman & Littlefield Pub. Group, Inc.$d2012 215 $a1 online resource (205 p.) 300 $aDescription based upon print version of record. 311 $a1-61148-422-7 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- Contradictory approaches to race, from independence to revolution. Representing difference in colonial and republican settings -- Slave rebellion and cultural resistance -- Performing the mulata rumbera -- Fragmented Cubanness by way of de?tour -- Post-revolutionary identities in conflict. Black masculinity in crisis -- Race, place, and marginality -- Conclusion -- Epilogue: the 1980s and beyond. 330 $aAfro-Cuban identity in Post-Revolutionary Novel and Film examines the changing discourse on race as portrayed in Cuban novels and films produced after 1959. 606 $aCuban literature$y20th century$xHistory and criticism 606 $aBlack people in literature 606 $aRace in literature 606 $aIdentity (Philosophical concept) in literature 606 $aMotion pictures$zCuba$xHistory$y20th century 606 $aBlack people in motion pictures 606 $aRace in motion pictures 606 $aBlack people$xRace identity$zCuba$xHistory$y20th century 608 $aElectronic books. 615 0$aCuban literature$xHistory and criticism. 615 0$aBlack people in literature. 615 0$aRace in literature. 615 0$aIdentity (Philosophical concept) in literature. 615 0$aMotion pictures$xHistory 615 0$aBlack people in motion pictures. 615 0$aRace in motion pictures. 615 0$aBlack people$xRace identity$xHistory 676 $a863/.640997291 700 $aMorris$b Andrea E$01032720 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910457559203321 996 $aAfro-Cuban identity in post-revolutionary novel and film$92450724 997 $aUNINA LEADER 01771nam 2200385Ia 450 001 996384559203316 005 20221108063116.0 035 $a(CKB)4940000000075648 035 $a(EEBO)2248580732 035 $a(OCoLC)12225943 035 $a(EXLCZ)994940000000075648 100 $a19850702d1680 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 10$aMr. Tho. Dangerfield's second narrative$b[electronic resource] $ewherein is contained a faithful charge against the Lady Powis, Mr. Stamford, (the Duke of Newburghs resident) and Mrs. Cellier relating to the murther of Sir Edmundbury Godfrey and the late plot made by the papists, to be cast upon the Protestants : wherein is I. A true account of methods used to invalidate the testimony of Captain William Bedloe and Mr. Prance, II. An account of the several papists imprisoned, and their crimes, with the charges it cost them to get out upon bail /$fwritten by his own hand 210 $aLondon $cPrinted for Thomas Cockerill ...$d1680 215 $a[4], 28, [1] p 300 $aReproduction of original in Union Theological Seminary Library, New York. 330 $aeebo-0160 606 $aPopish Plot, 1678 615 0$aPopish Plot, 1678. 700 $aDangerfield$b Thomas$f1650?-1685.$01007288 701 $aPrance$b Miles$ffl. 1678-1689.$01002812 701 $aBedloe$b William$f1650-1680.$01005061 701 $aCellier$b Elizabeth$ffl. 1680.$01006956 701 $aPowis$b Elizabeth Somerset Herbert$cDuchess of,$fd. 1691.$01017899 701 $aStamford$cMr.$01017900 801 0$bEAA 801 1$bEAA 801 2$bm/c 801 2$bWaOLN 906 $aBOOK 912 $a996384559203316 996 $aMr. Tho. Dangerfield's second narrative$92390783 997 $aUNISA