LEADER 05721oam 2200769I 450 001 9910457537003321 005 20200520144314.0 010 $a1-136-12005-X 010 $a1-136-12006-8 010 $a1-280-96156-2 010 $a9786610961566 010 $a0-08-047045-9 024 7 $a10.4324/9780080470450 035 $a(CKB)1000000000362705 035 $a(EBL)286652 035 $a(OCoLC)476038150 035 $a(SSID)ssj0000107517 035 $a(PQKBManifestationID)11124900 035 $a(PQKBTitleCode)TC0000107517 035 $a(PQKBWorkID)10009390 035 $a(PQKB)10477463 035 $a(MiAaPQ)EBC286652 035 $a(CaSebORM)9780240519470 035 $a(Au-PeEL)EBL286652 035 $a(CaPaEBR)ebr10166991 035 $a(CaONFJC)MIL96156 035 $a(OCoLC)123418639 035 $a(EXLCZ)991000000000362705 100 $a20180706d2005 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAudio post production for television and film $ean introduction to technology and techniques /$fHilary Wyatt and Tim Amyes 205 $a3rd ed. /$bHilary Wyatt and Tim Amyes. 210 1$aOxford ;$aBurlington, Mass. :$cFocal Press, an imprint of Elsevier,$d2005. 215 $a1 online resource (303 p.) 300 $aPrevious ed.: 1998. 311 $a1-138-45977-1 311 $a0-240-51947-7 327 $aCover; Contents; Acknowledgements; About the authors; Introduction to the third edition; Part 1 Audio Basics; 1 The evolution of audio post production; An overview; A little history: the development of technology and techniques; Where we are now: post production today; 2 Digital recording and processing; The digital audio process; Sampling rate and pulse code modulation; Quantizing level; Storing digital audio data; Compression; Buffers; Interconnecting between digital audio systems; 3 Synchronizing and controlling audio post production equipment; SMPTE/EBU timecode; Timecode and speed 327 $aIdentification and labellingLongitudinal timecode (LTC); Vertical interval timecode (VITC); Burnt-in timecode; MIDI timecode (MTC); Controlling equipment through synchronization; Synchronization modes; The control of tape/film transports; 4 Audio transfers and file formats; Compression; Linear transfers; File transfers; File conversion software; Network systems; 5 Video, film and pictures; Film; Telecine; Video; Video compression; Film recording; Audio on video recorders; Viewing pictures in audio post production; Viewing images; Comparing film and video; 6 Film in audio post production 327 $aFilm releaseConforming film; Film timecode; Sound on sprocketed film; Photographic film recording; Recording analogue optical soundtracks; Digital optical soundtracks; Part 2 The Post Production Process; 7 Post production workflows; 8 Recording audio for post production; Aims; Types of microphone; Mono and stereo recording; Microphone position; Using multiple microphones; Production mixing; Studio and field recorders; Identing and logging takes; Studio-based recording; Field/location recording; 9 Editing picture and sound; An overview; Non-linear editing; System configuration 327 $aVideo resolutionThe editing process; Logging the rushes; Digitizing sound and picture; Syncing sound and picture; Editing audio in the timeline; Audio tools; Outputting the audio edit; Spotting the soundtrack; Handing over to the sound editors; 10 The digital audio workstation; An overview; Digital audio editing; System configuration; Hard drives; Drive configurations; Working with picture; System requirements and interconnectivity; Audio editing tools; Mixing tools; Backing up; Setting up a tracklaying workspace; Choosing the right workstation for the job 327 $a11 Preparing for the mix: editing production soundAims; The conform; Checking sync; Starting the dialogue edit; Boom or personal mic?; Handling twin/multiple-track material; Handling M/S recordings; Techniques for improving audio edits; Dialogue editing software; ADR spotting; ADR cue sheets; ADR spotting software; Attending the ADR session; Editing ADR; ADR fitting software; Splitting the dialogues for the mix; Crowd spotting; Attending the crowd session; Editing the crowd; 12 Preparing for the mix: sound effects editing; Aims; Types of sound effect; Planning the tracklay 327 $aSourcing sound effects 330 $aPreviously titled Audio Post-production in Video and Film, this third edition has been completely revised and restructured to provide a step-by-step guide to the professional techniques used to shape a soundtrack through the production process. Covering sound for both film and television, this edition includes many of the practical techniques and shortcuts used by experienced editors and mixers. Part one explains the basics of audio post production - how audio is recorded, how sound and picture stay in sync, how audio can be exported from system to system, and h 606 $aMotion pictures$xSound effects 606 $aSound motion pictures 606 $aSound$xRecording and reproducing 606 $aVideo tapes$xEditing 608 $aElectronic books. 615 0$aMotion pictures$xSound effects. 615 0$aSound motion pictures. 615 0$aSound$xRecording and reproducing. 615 0$aVideo tapes$xEditing. 676 $a778.52344 700 $aWyatt$b Hilary.$0943854 701 $aAmyes$b Tim$0943855 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910457537003321 996 $aAudio post production for television and film$92130577 997 $aUNINA