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100   $a20111021d2012      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aEarly modern poetics in Melville and Poe$b[electronic resource] $ememory, melancholy, and the emblematic tradition /$fWilliam E. Engel
210   $aFarnham, Surrey, England ;$aBurlington, Vt. $cAshgate Pub.$d2012
215   $a1 online resource (204 p.)
300   $aDescription based upon print version of record.
311   $a1-4094-3586-5 
320   $aIncludes bibliographical references and index.
327   $aIntroduction: stylistic choices and intellectual armature -- Melville's melancholy landscapes. Salvator R.Tarnmoor's mnemonic itinerary; Allegories of decay and the decay of allegory; Mime and masquerade in the theatrum mundi -- Poe's mirrored memory palaces. The William Wilson effect; Magical architecture and chiastic echoes; Emblems of mournful and never-ending remembrance -- Conclusion : reclaiming irredeemable loss -- Appendix ("The raven").
330   $aWhile other scholars have remarked on the influence of seventeenth-century literature on Melville and Poe, Engel is the first to explore how their close readings of early modern texts influenced their compositional practice. Rather than simply offering an account of what these authors read, Engel focuses principally on the overlapping rhetorical and iconic assumptions of the Art of Memory and its relation to chiasmus in order to illustrate the authors' profound debt to the past.
606   $aMemory in literature
606   $aChiasmus
606   $aMelancholy in literature
606   $aInfluence (Literary, artistic, etc.)
608   $aElectronic books.
615  0$aMemory in literature.
615  0$aChiasmus.
615  0$aMelancholy in literature.
615  0$aInfluence (Literary, artistic, etc.)
676   $a813/.309
700   $aEngel$b William E.$f1957-$0932592
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910457530803321
996   $aEarly modern poetics in Melville and Poe$92098666
997   $aUNINA