LEADER 04034nam 2200805 a 450 001 9910457528203321 005 20200520144314.0 010 $a1-283-42632-3 010 $a9786613426321 010 $a90-04-22423-8 035 $a(CKB)2550000000079182 035 $a(EBL)842211 035 $a(OCoLC)773566753 035 $a(SSID)ssj0000585182 035 $a(PQKBManifestationID)11395140 035 $a(PQKBTitleCode)TC0000585182 035 $a(PQKBWorkID)10571431 035 $a(PQKB)11716510 035 $a(MiAaPQ)EBC842211 035 $a(OCoLC)773566753$z(OCoLC)780478688 035 $a(nllekb)BRILL9789004224230 035 $a(PPN)174394837 035 $a(Au-PeEL)EBL842211 035 $a(CaPaEBR)ebr10525098 035 $a(CaONFJC)MIL342632 035 $a(EXLCZ)992550000000079182 100 $a20111018d2012 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aRetracing images$b[electronic resource] $evisual culture after Yugoslavia /$fedited by Daniel S?uber and Slobodan Karamanic? 210 $aLeiden ;$aBoston $cBrill$d2012 215 $a1 online resource (366 p.) 225 1 $aBalkan studies library,$x1877-6272 ;$vv. 4 300 $aDescription based upon print version of record. 311 $a90-04-21030-X 320 $aIncludes bibliographical references and index. 327 $apt. 1. Art and the other scene -- pt. 2. Moving pictures : before and after destruction -- pt. 3. Images in retrospect : creating memory, negating history. 330 $aThe essays in this collection disclose cultural and political dynamics as they occurred before and in the wake of Yugoslavia's dissolution (1991-92) by analyzing visual data such as film, art, graffiti, street-art, public advertisement, memorials, and monuments. Within the vast field of Balkan Studies such visual materials have rarely been taken for important empirical evidence. Against the still widely held presumption that the cultural production of allegedly \'totalitarian\' states such as Yugoslavia can be neglected as they were penetrated by state ideology, the contributions offer a corrective image of the complex ideological dynamics and discoursive potentials in various artistic and cultural fields. Phenomena such as \'Titostalgia\', nationalist mobilization, nation-branding, rewriting of history, inventing of traditions, and symbolic violence that have surfaced in recent years are interpreted in the light of Yugoslavia's legacy. Contributors include: Zoran Terzi?, Elissa Helms, Miklavz Komelj, Neboj?a Jovanovi?, Isabel Ströhle, Sezgin Boynik, Gregor Bulc, Davor Beganovi?, Robert Alagjozovski, Gal Kirn, Mitja Velikonja, Daniel ?uber, and Slobodan Karamani?. 410 0$aBalkan studies library ;$vv. 4. 606 $aYugoslav War, 1991-1995$xSocial aspects 606 $aPost-communism$xSocial aspects$zYugoslavia$xHistory 606 $aArt and state$zYugoslavia$xHistory 606 $aArt and society$zYugoslavia$xHistory 606 $aVisual communication$zYugoslavia$xHistory 606 $aPopular culture$zYugoslavia$xHistory 606 $aPolitical culture$zYugoslavia$xHistory 607 $aYugoslavia$xIntellectual life$y1992-2003 607 $aYugoslavia$xPolitics and government$y1992-2003 607 $aYugoslavia$xSocial conditions 608 $aElectronic books. 615 0$aYugoslav War, 1991-1995$xSocial aspects. 615 0$aPost-communism$xSocial aspects$xHistory. 615 0$aArt and state$xHistory. 615 0$aArt and society$xHistory. 615 0$aVisual communication$xHistory. 615 0$aPopular culture$xHistory. 615 0$aPolitical culture$xHistory. 676 $a949.703 701 $aS?uber$b Daniel$01026251 701 $aKaramanic?$b Slobodan$01026252 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910457528203321 996 $aRetracing images$92441076 997 $aUNINA