LEADER 03763nam 22007212 450 001 9910457526103321 005 20151005020621.0 010 $a1-139-14008-6 010 $a1-107-22048-3 010 $a1-280-77620-X 010 $a1-139-13935-5 010 $a9786613686596 010 $a1-139-14181-3 010 $a1-139-14513-4 010 $a1-139-14093-0 010 $a1-139-13780-8 010 $a0-511-97670-4 035 $a(CKB)2550000000061548 035 $a(EBL)803161 035 $a(OCoLC)784883498 035 $a(SSID)ssj0000572717 035 $a(PQKBManifestationID)11354380 035 $a(PQKBTitleCode)TC0000572717 035 $a(PQKBWorkID)10529872 035 $a(PQKB)10041193 035 $a(UkCbUP)CR9780511976704 035 $a(MiAaPQ)EBC803161 035 $a(Au-PeEL)EBL803161 035 $a(CaPaEBR)ebr10546437 035 $a(CaONFJC)MIL368659 035 $a(EXLCZ)992550000000061548 100 $a20101012d2011|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSpace and Sculpture in the Classic Maya City /$fAlexander Parmington$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2011. 215 $a1 online resource (xix, 261 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a1-107-69618-6 311 $a1-107-00234-6 320 $aIncludes bibliographical references and index. 327 $a1. Defining the Maya built environment -- 2. Investigative considerations and methodology -- 3. Access analysis of the Palenque Cross Group and its sculpture -- 4. Architectural and sculptural programs of the Palenque Palace Group -- 5. Access analysis of the architectural and sculptural programs of the Palenque Palace Group -- 6. Access analysis of Maya art and architecture : summary and conclusions. 330 $aIn this book, Alexander Parmington examines how images, texts and architectural form controlled and channelled movement of particular sets of people through various precincts in Classic Maya cities. Using Palenque as a case study, this book analyses specific building groups and corresponding sculptures to provide insight into the hierarchical distribution and use of ritual and administrative space in temple and palace architecture. Identifying which spaces were the most accessible and most public, and which spaces were segregated and highly private, Dr Parmington demonstrates how sculptural, iconographic and hieroglyphic content varies considerably when found in public/common or private/elite space. Drawing on specific examples from the Classic Maya and other early civilisations, he demonstrates that by examining the intent in the distribution of architecture and art, the variation and function of the artistic themes represented in sculpture and other monumental works of art can be better understood. 517 3 $aSpace & Sculpture in the Classic Maya City 606 $aSpatial analysis (Statistics) in archaeology$zMexico$zPalenque (Chiapas) 606 $aMaya sculpture$zMexico$zPalenque (Chiapas) 606 $aMaya architecture$zMexico$zPalenque (Chiapas) 607 $aPalenque Site (Mexico) 607 $aPalenque (Chiapas, Mexico)$xAntiquities 615 0$aSpatial analysis (Statistics) in archaeology 615 0$aMaya sculpture 615 0$aMaya architecture 676 $a972/.75 700 $aParmington$b Alexander$f1971-$01045190 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910457526103321 996 $aSpace and Sculpture in the Classic Maya City$92471263 997 $aUNINA