LEADER 01148nam0 2200337 450 001 000001566 005 20090410114336.0 010 $a88-207-1017-X 100 $a20000719d1982----km-y0itay50------ba 101 1 $aita 102 $aIT 200 1 $a<>statistica$eelementi di metodologia e applicazione in campo sociale ed economico$fM. F. Fuller, D. A. Lury$g[a cura di] A. Calvelli, C. Quintano 210 $aNapoli$cLiguori$d1982 215 $a417 p.$d22 cm 304 $aTit. orig. : Statistics workbook for social science students 314 $aTrad. di A. Calvelli, C. Quintano 610 1 $aStatistica 676 $a310 700 1$aFuller,$bMichael Frederick$0422161 701 1$aLury,$bD. A.$0102934 702 1$aCalvelli,$bAdriana 702 1$aQuintano,$bClaudio 801 0$aIT$bUNIPARTHENOPE$gRICA$2UNIMARC 912 $a000001566 951 $cNAVA1$a519-S/10$b28628$d20000908 951 $cNAVA1$a519-S/18$b29564$d20000908 951 $cNAVA1$a519-S/19$b29565$d20000908 951 $cNAVA3$aW-0108$b29566$d20000908 951 $cNAVA3$aW-0107$b29563$d20000908 996 $aStatistica$9513039 997 $aUNIPARTHENOPE LEADER 03213nam 2200661Ia 450 001 9910457525903321 005 20200520144314.0 010 $a0-253-11112-9 035 $a(CKB)1000000000362405 035 $a(EBL)255640 035 $a(OCoLC)80242539 035 $a(SSID)ssj0000122296 035 $a(PQKBManifestationID)11135953 035 $a(PQKBTitleCode)TC0000122296 035 $a(PQKBWorkID)10122395 035 $a(PQKB)10693538 035 $a(MiAaPQ)EBC255640 035 $a(OCoLC)66145327 035 $a(MdBmJHUP)muse16663 035 $a(PPN)182145476 035 $a(Au-PeEL)EBL255640 035 $a(CaPaEBR)ebr10118516 035 $a(EXLCZ)991000000000362405 100 $a20040426d2005 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCinema's conversion to sound$b[electronic resource] $etechnology and film style in France and the U.S. /$fCharles O'Brien 210 $aBloomington $cIndiana University Press$dc2005 215 $a1 online resource (216 p.) 300 $aDescription based upon print version of record. 311 $a0-253-34463-8 320 $aIncludes filmography: p. [191]-186. 320 $aIncludes bibliographical references (p. [165]-190) and index. 327 $aSound's impact on film style : the case for homogenization -- Film history after recorded sound : from crisis to continuity -- The talkies in France : imported films as exemplars -- Sound-era film editing : international norms, local commitments -- Shooting and recording in Paris and Hollywood -- Hollywood indigenized : pathe?-natan and national popular cinema -- Conclusion: sound and national film style--past and present. 330 $aThe conversion to sound cinema is routinely portrayed as a homogenizing process that significantly reduced the cinema's diversity of film styles and practices. Cinema's Conversion to Sound offers an alternative assessment of synchronous sound's impact on world cinema through a shift in critical focus: in contrast to film studies' traditional exclusive concern with the film image, the book investigates national differences in sound-image practice in a revised account of the global changeover from silent 606 $aSound motion pictures$xHistory 606 $aMotion pictures$zFrance$xHistory 606 $aMotion pictures$zUnited States$xHistory 606 $aSound$xRecording and reproducing$zFrance$xHistory$y20th century 606 $aSound$xRecording and reproducing$zUnited States$xHistory$y20th century 608 $aElectronic books. 615 0$aSound motion pictures$xHistory. 615 0$aMotion pictures$xHistory. 615 0$aMotion pictures$xHistory. 615 0$aSound$xRecording and reproducing$xHistory 615 0$aSound$xRecording and reproducing$xHistory 676 $a791.43/09 700 $aO'Brien$b Charles$f1955-$0852834 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910457525903321 996 $aCinema's conversion to sound$91904417 997 $aUNINA