LEADER 03714nam 2200673 a 450 001 9910457523903321 005 20200520144314.0 010 $a1-283-37975-9 010 $a9786613379757 010 $a1-4008-3169-5 024 7 $a10.1515/9781400831692 035 $a(CKB)2550000000079177 035 $a(EBL)3030296 035 $a(OCoLC)778618960 035 $a(SSID)ssj0000575801 035 $a(PQKBManifestationID)11349847 035 $a(PQKBTitleCode)TC0000575801 035 $a(PQKBWorkID)10552243 035 $a(PQKB)11719188 035 $a(MiAaPQ)EBC3030296 035 $a(OCoLC)696008263 035 $a(MdBmJHUP)muse36800 035 $a(DE-B1597)447015 035 $a(OCoLC)979970232 035 $a(DE-B1597)9781400831692 035 $a(Au-PeEL)EBL3030296 035 $a(CaPaEBR)ebr10522508 035 $a(CaONFJC)MIL337975 035 $a(EXLCZ)992550000000079177 100 $a19930331d1993 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt 182 $cc 183 $acr 200 00$aDvor?a?k and his world$b[electronic resource] /$fedited by Michael Beckerman 205 $aCourse Book 210 $aPrinceton, N.J. $cPrinceton University Press$dc1993 215 $a1 online resource (296 p.) 225 0 $aThe Bard Music Festival ;$v31 300 $aDescription based upon print version of record. 311 $a0-691-03386-2 311 $a0-691-00097-2 320 $aIncludes bibliographical references and index. 327 $apt. 1. Essays -- pt. 2. Documents and criticism. 330 $aAntonin Dvorák made his famous trip to the United States one hundred years ago, but despite an enormous amount of attention from scholars and critics since that time, he remains an elusive figure. Comprising both interpretive essays and a selection of fascinating documents that bear on Dvorák's career and music, this volume addresses fundamental questions about the composer while presenting an argument for a radical reappraisal. The essays, which make up the first part of the book, begin with Leon Botstein's inquiry into the reception of Dvorák's work in German-speaking Europe, in England, and in America. Commenting on the relationship between Dvorák and Brahms, David Beveridge offers the first detailed portrait of perhaps the most interesting artistic friendship of the era. Joseph Horowitz explores the context in which the "New World" Symphony was premiered a century ago, offering an absorbing account of New York musical life at that time. In discussing Dvorák as a composer of operas, Jan Smaczny provides an unexpected slant on the widely held view of him as a "nationalist" composer. Michael Beckerman further investigates this view of Dvorák by raising the question of the role nationalism played in music of the nineteenth century. The second part of this volume presents Dvorák's correspondence and reminiscences as well as unpublished reviews and criticism from the Czech press. It includes a series of documents from the composer's American years, a translation of the review of Rusalka's premiere with the photographs that accompanied the article, and Janácek's analyses of the symphonic poems. Many of these documents are published in English for the first time. 410 0$aBard Music Festival 606 $aMUSIC / History & Criticism$2bisacsh 608 $aElectronic books. 615 7$aMUSIC / History & Criticism. 676 $a780/.92 701 $aBeckerman$b Michael Brim$f1951-$0847017 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910457523903321 996 $aDvor?a?k and his world$92490389 997 $aUNINA