LEADER 00791nam0-22002771i-450- 001 990003172250403321 005 20110131115350.0 010 $a92-64-13546-4 035 $a000317225 035 $aFED01000317225 035 $a(Aleph)000317225FED01 035 $a000317225 100 $a20030910d1991----km-y0itay50------ba 101 0 $afre 102 $aFR 200 1 $aPublic management developments$eupdate 1991$fPUMA 210 $aParis$cOECD$d1991 215 $a77 p.$d29 cm 712 02$aOrganizzazione per la cooperazione e lo sviluppo economico.$bPublic Management Service 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990003172250403321 952 $aA/6.0 PUM$b12486$fSES 959 $aSES 996 $aPublic management developments$9457765 997 $aUNINA LEADER 03023nam 2200685Ia 450 001 9910457506903321 005 20200520144314.0 010 $a9786612072338 010 $a1-282-07233-1 010 $a0-253-11045-9 035 $a(CKB)1000000000362399 035 $a(EBL)255637 035 $a(OCoLC)475970500 035 $a(SSID)ssj0000108894 035 $a(PQKBManifestationID)11129574 035 $a(PQKBTitleCode)TC0000108894 035 $a(PQKBWorkID)10044011 035 $a(PQKB)10502947 035 $a(MiAaPQ)EBC255637 035 $a(OCoLC)66144835 035 $a(MdBmJHUP)muse16661 035 $a(Au-PeEL)EBL255637 035 $a(CaPaEBR)ebr10118515 035 $a(CaONFJC)MIL207233 035 $a(EXLCZ)991000000000362399 100 $a20040407d2004 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBarriers between us$b[electronic resource] $einterracial sex in nineteenth-century American literature /$fCassandra Jackson 210 $aBloomington $cIndiana University Press$dc2004 215 $a1 online resource (160 p.) 225 1 $aBlacks in the diaspora 300 $aDescription based upon print version of record. 311 $a0-253-21733-4 311 $a0-253-34511-1 320 $aIncludes bibliographical references (p. [133]-138) and index. 327 $aCover; TOC; Acknowledgments; Introduction; 1.The Last of the Mohicans; 2. A Land without Names; 3. Reconstructing America in Lydia Maria Child's...; 4. Doubles in Eden; 5. ""I will gladly share with them my richer heritage""; Epilogue: Formulating a National Self; Notes; Bibliography; Index 330 $aThis provocative book examines the representation of characters of mixed African and European descent in the works of African American and European American writers of the 19th century. The importance of mulatto figures as agents of ideological exchange in the American literary tradition has yet to receive sustained critical attention. Going beyond Sterling Brown's melodramatic stereotype of the mulatto as ""tragic figure,"" Cassandra Jackson's close study of nine works of fiction shows how the mulatto 410 0$aBlacks in the diaspora. 606 $aAmerican fiction$y19th century$xHistory and criticism 606 $aRacially mixed people in literature 606 $aMiscegenation in literature 606 $aRace in literature 608 $aElectronic books. 615 0$aAmerican fiction$xHistory and criticism. 615 0$aRacially mixed people in literature. 615 0$aMiscegenation in literature. 615 0$aRace in literature. 676 $a813/.3093552 700 $aJackson$b Cassandra$f1972-$0852363 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910457506903321 996 $aBarriers between us$91903418 997 $aUNINA LEADER 03320oam 2200469z- 450 001 9910417794503321 005 20211222123725.0 035 $a(CKB)5310000000011319 035 $a(EXLCZ)995310000000011319 100 $a20220209c2018uuuu -u- - 101 0 $aeng 200 00$aFree improvisation $ehistory and perspectives /$feditors, Alessandro Sbordoni, Antonio Rostagno ; collaborazione redazionale di Vera Vecchiarelli e Gianluca Chelini 210 $cLIM - Libreria Musicale Italiana 311 $a88-7096-966-5 330 $aThe book, on the initiative of Associazione Nuova Consonanza-Rome in collaboration with Sapienza-Univeristy of Rome, addresses two relevant aspects of the conceptual and pracitcal field of improvisation in general, and of 'free improvisation' in particular, mainly in the 1960s and 1970s. On the one hand, some precise historical moments are investigated, documented and dicussed; on the other hand, some theoretical and analytical criteria are brought into focus. The main objective is to clarify the historical context within which the activities of the Gruppo di Improvvisazione Nuova Consonanza (GINC) took place, introducing also other similar experiences such as the Chicago Art Ensemble, or other figures such Giacinto Scelsi, Giovanni Guaccero, Cornelius Cardew, Mario Bertoncini, Walter Branchi, Alvin Curran and other protagonists of the improvisational scene in Rome (and beyond) in those decades. 330 $aA second part is concerned with philosophical, analytical or theoretical aspects of improvisation, within and beyond the experience of GINC: musical improvisation as a form of interpersonal relationship, new ways of subjectivity, empathic intentions inside and outside European culture, new paradigms of musical practice (such as Sbordoni's idea of 'composing in dialogue'), renewed questions about the relationship between composition and improvisation in other levels of the musical world from the 1960s to the current practices. A final section of the book focuses on two important experiences in improvisation: the GINC, of course, and Giacinto Scelsi considered as an improviser (a very delicate subject), with presentation, analysis and discussion of new sources and transcriptions. 517 $aFree improvisation 606 $aImprovisation (Music)$vCongresses 606 $aImprovisation (Music)$xHistory$vCongresses 606 $aImprovisation (Music)$2fast$3(OCoLC)fst00968306 606 $aMusikalische Aufführungspraxis$2gnd 606 $aMusik$2gnd 606 $aImprovisation$2gnd 608 $aConference papers and proceedings.$2fast 608 $aHistory.$2fast 608 $aKonferenzschrift$y2017$zRom.$2gnd 608 $aConference papers and proceedings.$2lcgft 615 0$aImprovisation (Music) 615 0$aImprovisation (Music)$xHistory 615 7$aImprovisation (Music) 615 7$aMusikalische Aufführungspraxis. 615 7$aMusik. 615 7$aImprovisation. 686 $aMUS$2fid$qDE-12 702 $aSbordoni$b Alessandro 702 $aRostagno$b Antonio 712 02$aNuova consonanza (Association), 712 12$aA? partire da un'intesa (Conference)$f(2017 :$eRome, Italy) 906 $aBOOK 912 $a9910417794503321 996 $aFree improvisation$93400280 997 $aUNINA