LEADER 03260nam 2200649 a 450 001 9910457480203321 005 20200520144314.0 010 $a1-283-95225-4 010 $a1-78042-805-7 035 $a(CKB)2550000000089401 035 $a(EBL)886887 035 $a(OCoLC)777401484 035 $a(SSID)ssj0000634468 035 $a(PQKBManifestationID)12220776 035 $a(PQKBTitleCode)TC0000634468 035 $a(PQKBWorkID)10641018 035 $a(PQKB)10002693 035 $a(MiAaPQ)EBC886887 035 $a(Au-PeEL)EBL886887 035 $a(CaPaEBR)ebr10532469 035 $a(CaONFJC)MIL426475 035 $a(PPN)19727899X 035 $a(EXLCZ)992550000000089401 100 $a20110809d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aEarly Italian painting$b[electronic resource] /$fJoseph Archer Crowe & Giovanni Battista Cavalcaselle, Anna Jameson 210 $aNew York $cParkstone Press International$d2011 215 $a1 online resource (200 p.) 225 1 $aArt of century collection 300 $a"The following passages originally constituted sections of two books ... both written in 1864-one by Anna Jameson and the other by Giovanni Cavalcaselle and Arthur Crowe"--Note from the editor. 300 $aIncludes index. 311 $a1-84484-848-5 327 $aIntroduction : Something about pictures and painters -- Revival of art in Siena -- Fundamental difference between Sienese and Florentine art -- Early Christianity and art -- Memoirs of the early Italian painters. Guido da Siena -- Giovanni Cimabue -- Cimabue and the Ruccelai Madonna -- Duccio di Buoninsegna -- Ugolino di Nerio --Segna di Bonaventura -- Giotto di Bondone -- Pietro Cavallini -- The Campo Santo -- Andrea Orcagna -- Taddeo Gaddi -- Simone Martini (Simone Memmi) -- Conclusion. 330 $aOscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aesthetic movement that would lead to the Renaissance, the Italian Primitives. Trying new mediums and techniques, these revolutionary artists no longer painted frescoes on walls, but created the first mobile paintings on wooden panels. The visages of the figures were painted to shock the spectator in order to emphasise the divinity of the character being represented. The bright gold leafed backgrounds were used to highlight the godliness o 410 0$aArt of century collection. 606 $aPainting, Italian 606 $aPainting, Medieval$zItaly 608 $aElectronic books. 615 0$aPainting, Italian. 615 0$aPainting, Medieval 676 $a759.5 700 $aCrowe$b J. A$g(Joseph Archer),$f1825-1896.$0207127 701 $aCavalcaselle$b G. B$g(Giovanni Battista),$f1820-1897.$0156805 701 $aJameson$cMrs.$g(Anna),$f1794-1860.$01041632 701 $aCrowe$b J. A$g(Joseph Archer),$f1825-1896.$0207127 701 $aJameson$cMrs.$g(Anna),$f1794-1860.$01041632 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910457480203321 996 $aEarly Italian painting$92465303 997 $aUNINA