LEADER 03949nam 2200565 a 450 001 9910457469203321 005 20200520144314.0 010 $a1-283-23598-6 010 $a9786613235985 010 $a0-253-00566-3 035 $a(CKB)2550000000050912 035 $a(EBL)670324 035 $a(OCoLC)756166016 035 $a(MiAaPQ)EBC670324 035 $a(Au-PeEL)EBL670324 035 $a(CaPaEBR)ebr10492907 035 $a(CaONFJC)MIL323598 035 $a(EXLCZ)992550000000050912 100 $a20110921d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 200 04$aThe individual and tradition$b[electronic resource] $efolkloristic perspectives /$fedited by Ray Cashman, Tom Mould, and Pravina Shukla 210 $aBloomington $cIndiana University Press$d2011 215 $a1 online resource (561 p.) 225 0 $aSpecial publications of the Folklore Institute, Indiana University 300 $aDescription based upon print version of record. 311 $a0-253-35717-9 320 $aIncludes bibliographical references and index. 327 $aCover; Contents; Introduction: The Individual and Tradition; Entering Tradition: Kim Ellington, Catawba Valley Potter; Delight in Skill: The Stone Carvers' Art; The "Talking Machine Story Teller": Cal Stewart and the Remediation of Storytelling; Chief Ovia Idah: Bricoleur of Benin City and a Star for All Times; Place Matters: A Wooden Boat Builder in the Twenty-First Century; A Backdoor into Performance; The Maintenance of Heritage: Kersti Jobs-Bjo?rklo?f and Swedish Folk Costume; The World of Ogre-Tile Makers: The Onihyaku Line inHekinan, Japan 327 $aBringing Them Back: Wanda Aragon and the Revival of Historic Pottery Designs at AcomaArtistic Courage in Small Groups: Identity, Intermediality, and Indian Country; Navigating the Legends of Treasure Island: Narrative, Maps, and the Material; Fluid Identities: Madame d'Aulnoy, Mother Bunch, and Fairy-Tale History; Counting the Stars: The Study of Creativity on a Human Scale; On Middle-Range Structures in Heroic Epic; The Role of Tradition in the Individual; Customizing Myth: The Personal in the Public; David Drake: Potter, Poet, Rebel 327 $aThe Mother's Voice: An Analysis of the Content of Turkish LullabiesContested Performance and Joke Aesthetics; Vernacular Interpretation in a Public Folklore Event; Georgia Decoy Maker Ernie Mills: A Folk Artist Defines His Work; Rapid Transportation; Working Through Tradition: Rug Farming In Anatolia; A Few of My Favorite Things about North Carolina Pottery; That's Where I Came In: Henry and His Teachers; At the Black Pig's Dyke and Other Writing; A Folklorist's Work: Henry Glassie's Life in the Field; Acknowledgments; Tabula Gratulatoria; Contributors; Index 330 $aProfiles of artists and performers from around the world form the basis of this innovative volume that explores the many ways individuals engage with, carry on, revive, and create tradition. Leading scholars in folklore studies consider how the field has addressed the relationship between performer and tradition and examine theoretical issues involved in fieldwork and the analysis and dissemination of scholarship in the context of relationships with the performers. These vivid case studies exemplify th 606 $aStorytelling 606 $aTradition (Philosophy) 606 $aOral tradition 608 $aElectronic books. 615 0$aStorytelling. 615 0$aTradition (Philosophy) 615 0$aOral tradition. 676 $a709.22 701 $aCashman$b Ray$0944746 701 $aMould$b Tom$0944747 701 $aShukla$b Pravina$0911235 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910457469203321 996 $aThe individual and tradition$92132722 997 $aUNINA