LEADER 03896nam 2200625 a 450 001 9910457462603321 005 20200520144314.0 010 $a1-283-95212-2 010 $a1-78042-790-5 035 $a(CKB)2550000000089298 035 $a(EBL)886833 035 $a(OCoLC)681503644 035 $a(SSID)ssj0000632148 035 $a(PQKBManifestationID)12275355 035 $a(PQKBTitleCode)TC0000632148 035 $a(PQKBWorkID)10609826 035 $a(PQKB)10665466 035 $a(MiAaPQ)EBC886833 035 $a(Au-PeEL)EBL886833 035 $a(CaPaEBR)ebr10532497 035 $a(CaONFJC)MIL426462 035 $a(EXLCZ)992550000000089298 100 $a20120315d2012 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aArt nouveau$b[electronic resource] /$f[Jean Lahor ; translator, Rebecca Brimacombe] 210 $a[New York] $cParkstone International$d[2012] 215 $a1 online resource (200 p.) 225 1 $aArt of century collection 300 $aDescription based upon print version of record. 311 $a1-84484-520-6 320 $aIncludes bibliographical references and index. 327 $aContents; The Origins of Art Nouveau; England: Cradle of Art Nouveau; Belgium: The Flowering of Art Nouveau; France: A Passion for Art Nouveau; Art Nouveau at the 1900 Universal Exposition in Paris; The French Pavilion; The English Pavilion; The American Pavilion; The Belgian Pavilion; The German Pavilion; The Austrian Pavilion; The Hungarian Pavilion; The Dutch Pavilion; The Danish Pavilion; The Swedish and Norwegian Pavilions; The Russian Pavilion; The Finnish Pavilion; The Romanian Pavilion; The Swiss Pavilion; Conclusion; Major Artists; Painting 327 $aFernand Khnopff (Grembergen-lez-Termonde, 1858 - Brussels, 1921)Jan Toorop (Purworedjo, 1858 - The Hague, 1928); Aubrey Beardsley (Brighton, 1872 - Menton, 1898); Euge?ne Grasset (Lausanne, 1845 - Sceaux, 1917); Georges de Feure (Paris, 1868 - 1943); Alphonse Mucha (Ivancice, 1860 - Prague, 1939); Gustav Klimt (Vienna, 1862 - 1918); Koloman Moser (Vienna, 1868 - 1918); Architecture; Victor Horta (Gand, 1861 - Brussels, 1947); Henry Van de Velde (Anvers, 1863 - Zurich, 1957); Hector Guimard (Lyon, 1867 - New York, 1942); Antoni Gaudi? (Riudoms, 1852 - Barcelona, 1926); Decorative Arts 327 $aGustave Serrurier-Bovy (Lie?ge, 1858 - Anvers, 1910) Louis Majorelle (Toul, 1859 - Nancy, 1926); Charles Rennie Mackintosh (Glasgow, 1868 - London, 1928); Louis Comfort Tiffany (New York, 1848 - 1933); Emile Galle? (Nancy, 1846 - 1904); The Daum brothers: Auguste (Bitche, 1853 - Nancy, 1909)and Antonin (Bitche, 1864 - Nancy, 1930); Rene? Jules Lalique (Ay, 1860 - Paris, 1945); Notes; Bibliography; Index 330 $aArt Nouveau designates a decorative and architectural style developed in the 1880's and 1890's in the West. Born in reaction to the Industrial Revolution and to the creative vacuum it left behind, Art Nouveau was at the heart of a "renaissance" in the decorative arts. The primary objective of the movement was the creation of a new aesthetic of nature through a return to the study of natural subjects. In order to achieve this, such artists as Gustav Klimt, Koloman Moser, Antoni Gaudi?, Jan Toorop, and William Morris favoured innovation in technique and novelty of forms.After its triumph at the 410 0$aArt of century collection. 606 $aArt nouveau 606 $aArt$xPhilosophy 608 $aElectronic books. 615 0$aArt nouveau. 615 0$aArt$xPhilosophy. 676 $a709.0349 700 $aLahor$b Jean$0179327 701 $aBrimacombe$b Rebecca$01032635 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910457462603321 996 $aArt nouveau$92450612 997 $aUNINA