LEADER 03397nam  2200589Ia 450 
001 9910457457703321
005 20211025162237.0
010   $a1-283-30261-6
010   $a9786613302618
010   $a0-8108-8190-X
035   $a(CKB)2550000000057143
035   $a(EBL)787880
035   $a(OCoLC)760270460
035   $a(SSID)ssj0000539843
035   $a(PQKBManifestationID)12193304
035   $a(PQKBTitleCode)TC0000539843
035   $a(PQKBWorkID)10581106
035   $a(PQKB)10382093
035   $a(MiAaPQ)EBC787880
035   $a(Au-PeEL)EBL787880
035   $a(CaPaEBR)ebr10504634
035   $a(CaONFJC)MIL330261
035   $a(EXLCZ)992550000000057143
100   $a20110606d2012      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aOut of the shadows$b[electronic resource] $eexpanding the canon of classic film noir /$fGene D. Phillips
210   $aLanham $cScarecrow Press, Inc.$dc2012
215   $a1 online resource (323 p.)
300   $aDescription based upon print version of record.
311   $a0-8108-8189-6 
320   $aIncludes bibliographical references and index.
320   $aIncludes filmography.
327   $aPrologue: overlooked noir -- City of night: the advent of film noir. The black mask brigade: Dashiell Hammett, hard-boiled fiction, and film noir -- Exploring film noir: Stranger on the third floor and other films -- Nightmare town: Dashiell Hammett's fiction as film noir -- John Huston: The Maltese falcon -- Stuart Heisler: The glass key -- Edward Buzzell: Song of the thin man -- Darkness at noon: representative noir films. Fritz Lang: Ministry of fear and Scarlet Street -- Alfred Hitchcock: Spellbound and Strangers on a train -- George Cukor: A double life -- Billy Wilder: Sunset Boulevard -- Robert Siodmak: The killers (1946) -- Don Siegel: The killers (1964) -- Otto Preminger: Laura and Anatomy of a murder -- Fred Zinnemann: Act of violence -- Stanley Kubrick: The killing -- Orson Welles: The stranger and Touch of evil -- The lower depths: the rise of neo-noir. Dashiell Hammett and neo-noir: The Dain curse and Hammett -- Anthony Minghella: The talented Mr. Ripley -- Liliana Cavani: Ripley's game -- Afterword / by James Welsh.
330   $aFilm noir was a cycle in American cinema which first came into prominence during World War II, peaked in the 1950s, and began to taper off as a definable trend by 1960. Over the years, a group of films from the period emerged as noir standards, beginning with Stranger on the Third Floor in 1940. However, since film noir is too wide-ranging, it cannot be kept within the narrow limits of the official canon that has been established by film historians. Consequently, several neglected movies made during the classic noir period need to be re-evaluated as noir films. In Out of the Shadows: Expanding.
606   $aFilm noir$xHistory and criticism
606   $aCrime films$xHistory and criticism
608   $aElectronic books.
615  0$aFilm noir$xHistory and criticism.
615  0$aCrime films$xHistory and criticism.
676   $a791.43/655
700   $aPhillips$b Gene D$0880459
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910457457703321
996   $aOut of the shadows$92462602
997   $aUNINA