LEADER 03643nam2 22006493i 450 001 CAG0047525 005 20170908093241.0 100 $a20070908d1972 ||||0itac50 ba 101 | $aita 102 $ait 181 1$6z01$ai $bxxxe 182 1$6z01$an 200 0 $a2$fF. Michajlovic Dostoevskij$ga cura di Pina Maiani 210 $aTorino$cUTET$dstampa 1972 215 $aP. 389-738$d18 cm. 225 | $a˜I œgrandi scrittori stranieri$v232 410 0$1001RAV0145913$12001 $a˜I œgrandi scrittori stranieri$v232 461 1$1001SBL0485299$12001 $aDelitto e castigo$fF. Michajlovic Dostoevskij$ga cura di Pina Maiani$v2 700 1$aDostoevskij$b, Fëdor Mihajlovič$3CFIV001049$4070$0189389 702 1$aMaiani$b, Pina$3SBLV218380 790 1$aDostoevsky$b, Fyodor$3AQ1V000282$zDostoevskij, Fëdor Mihajlovič 790 1$aDostojevskij$b, Feodor$3BRIV044262$zDostoevskij, Fëdor Mihajlovič 790 1$aDostoyevsky$b, Fyodor$3BVEV098735$zDostoevskij, Fëdor Mihajlovič 790 1$aDostoevskij$b, F. 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M.$3RMLV034596$zDostoevskij, Fëdor Mihajlovič 790 1$aDostoevski$b, Fëdor$3SIPV151663$zDostoevskij, Fëdor Mihajlovič 801 3$aIT$bIT-NA0079$c20070908 850 $aIT-NA0312 912 $aCAG0047525 950 2$aIstituto Salesiano Sacro Cuore$c1 v.$d SC46 05 011$e SC01 0000132475 B v.2.$fD $h20070908$i20070908 977 $a SC 996 $a2$91483179 997 $aUNISANNIO LEADER 03569nam 2200673 a 450 001 9910457417303321 005 20200520144314.0 010 $a1-280-59197-8 010 $a9786613621801 010 $a1-118-22633-X 035 $a(CKB)2550000000082763 035 $a(EBL)818121 035 $a(OCoLC)775301841 035 $a(SSID)ssj0000623437 035 $a(PQKBManifestationID)11427726 035 $a(PQKBTitleCode)TC0000623437 035 $a(PQKBWorkID)10665868 035 $a(PQKB)11727105 035 $a(MiAaPQ)EBC818121 035 $a(CaSebORM)9781118167465 035 $a(Au-PeEL)EBL818121 035 $a(CaPaEBR)ebr10531498 035 $a(CaONFJC)MIL362180 035 $a(OCoLC)785779944 035 $a(EXLCZ)992550000000082763 100 $a20120309d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSocial TV$b[electronic resource] $ehow marketers can reach and engage audiences by connecting television to the web, social media, and mobile /$fMike Proulx, Stacey Shepatin 205 $a1st edition 210 $aHoboken, N.J. $cJohn Wiley & Sons$d2012 215 $a1 online resource (290 p.) 300 $aIncludes index. 311 $a1-118-16746-5 320 $aIncludes bibliographical references (p. 245-258) and index. 327 $aSocial TV: how marketers can reach and engage audiences by connecting television to the web, social media, and mobile; Contents; Preface; Acknowledgments; About the Authors; Introduction; 1: The Backchannel: Bringing the Social Conversation to the Forefront; 2: Social TV Guides: Curating Social Media for Content Discovery; 3: TV Check-In Services: Creating Vertical Social Networks around Television; 4: The Second Screen: Enhancing TV with Synched Content Experiences; 5: Social TV Ratings: Adding a New Dimension to Television Audience Measurement 327 $a6: Bridge Content: Driving Engagement In-Between Episode Airings7: Audience Addressability: Using Online and Direct Mail Targeting Practices on TV; 8: TV Everywhere: Watching TV Content Whenever and Wherever; 9: Connected TVs: Blending Online Content with Television Content; 10: Conclusion (for Now): Connecting the Dots; 11: To Be Continued . . .: Filling in the Gaps; Notes; Index 330 $aThe Internet didn't kill TV! It has become its best friend. Americans are watching more television than ever before, and we're engaging online at the same time we're tuning in. Social media has created a new and powerful "backchannel", fueling the renaissance of live broadcasts. Mobile and tablet devices allow us to watch and experience television whenever and wherever we want. And "connected TVs" blend web and television content into a unified big screen experience bringing us back into our living rooms. 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