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100   $a19980605d1999      ub             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aDeterritorializing the new German cinema$b[electronic resource] /$fJohn E. Davidson
210   $aMinneapolis $cUniversity of Minnesota Press$dc1999
215   $a1 online resource (216 p.)
300   $aDescription based upon print version of record.
311   $a0-8166-2983-8 
311   $a0-8166-2982-X 
320   $aIncludes bibliographical references (p. 165-194) and index.
327   $aContents; Preface; Introduction; 1 Conceiving, Producing, and Remembering the New German Cinema; 2 Resettling the West: Of Familial Spats and Spots, and the End of the Road Movie; 3 Railing against Convention, or Camping Out in Mongolia: The Performative Displacements of Ulrike Ottinger's Johanna D'Arc Mongolia; Epilogue: Beyond the New German Cinema?; Notes; Index
330   $aBetween 1961 and 1989, the New German Cinema came into being, the product of the diverse efforts of West German politicians, West German filmmakers, and foreign-chiefly American-film enthusiasts. This book takes the story of the New German Cinema beyond its strictly German context to show its relation to the international constellations of the Cold War and postcolonial politics.
606   $aMotion pictures$zGermany$xHistory
606   $aPerforming arts$zGermany$xHistory
608   $aElectronic books.
615  0$aMotion pictures$xHistory.
615  0$aPerforming arts$xHistory.
676   $a791.43/0943/0945
676   $a791.430943
700   $aDavidson$b John E$0312908
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910457401403321
996   $aDeterritorializing the new German cinema$92443690
997   $aUNINA