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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aImpressionism$b[electronic resource] /$fNathalia Brodskai?a
210   $aNew York $cParkstone International$d[2012?]
215   $a1 online resource (200 p.)
225 1 $aArt of century collection
300   $aDescription based upon print version of record.
311   $a1-84484-743-8 
320   $aIncludes bibliographical references and index.
327   $aCONTENTS; PREFACE; THE IMPRESSIONISTS AND ACADEMIC PAINTING; THE FIRST IMPRESSIONIST EXHIBITION; E?DOUARD MANET; CLAUDE MONET; PIERRE AUGUSTE RENOIR; ALFRED SISLEY; CAMILLE PISSARRO; EDGAR DEGAS; BERTHE MORISOT; BIBLIOGRAPHY; INDEX
330   $a"Ipaint what I see and not what it pleases others to see." What other words than these of E?douard Manet, seemingly so different from the sentiments of Monet or Renoir, could best define the movement of Impressionism? Without a doubt this singularity was explained when, shortly before his death, Claude Monet wrote: "I remain sorry to have been the cause of the name given to a group the majority of which did not have anything Impressionist."In this work, Nathalia Brodskai?a examines the contradictions of this late 19th-century movement through the paradox of a group who, while forming a coherent 
410  0$aArt of century collection.
606   $aImpressionism (Art)
606   $aImpressionism (Art)$vPictorial works
608   $aElectronic books.
615  0$aImpressionism (Art)
615  0$aImpressionism (Art)
676   $a759.06
700   $aBrodskai?a$b N. V$g(Natal?i?a Valentinovna)$0863734
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906   $aBOOK
912   $a9910457395903321
996   $aImpressionism$92096299
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