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135   $aur|n|---|||||
181   $ctxt
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200 10$aMusical theatre, realism and entertainment$b[electronic resource] /$fMillie Taylor
210   $aFarnham, England ;$aBurlington Vt. $cAshgate$dc2012
215   $a1 online resource (203 p.)
225 1 $aAshgate interdisciplinary studies in opera
300   $aDescription based upon print version of record.
311   $a0-7546-6670-0 
320   $aIncludes bibliographical references and index.
327   $aMusical characterisation in HMS Pinafore and the Rocky horror show -- Encoding the voice : Show boat, Guys and dolls, and musical theatre post-1960 -- Integration and distance in musical theatre : the case of Sweeney Todd -- Layers of representation and the creation of irony : Aufstieg und Fall der Stadt Mahagonny, Merrily we roll along and The last 5 years -- Alternatives to linearity : Cabaret, Kiss of the spider woman and Assassins -- Illusions of realism in West Side story and actor-musician performances -- Experiencing live musical theatre performance : La Cage aux Folles and Priscilla, queen of the desert -- I've heard that song before : the jukebox musical and entertainment in Jersey boys, Rock of ages, Mamma mia and We will rock you.
330   $aIn Musical Theatre, Realism and Entertainment, Millie Taylor explores the ways in which musical theatre reaches out to and involves its audiences. Taylor investigates how pleasure is stimulated by vocal, musical and spectacular performances.
410  0$aAshgate interdisciplinary studies in opera.
606   $aMusicals$xHistory and criticism
606   $aMusical theater$xHistory
606   $aMusic and language
608   $aElectronic books.
615  0$aMusicals$xHistory and criticism.
615  0$aMusical theater$xHistory.
615  0$aMusic and language.
676   $a792.6
700   $aTaylor$b Millie$0936246
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910457391103321
996   $aMusical theatre, realism and entertainment$92122384
997   $aUNINA