LEADER 03928nam  2200673 a 450 
001 9910457387203321
005 20200520144314.0
010   $a9786613366269
010   $a1-283-36626-6
010   $a94-012-0695-3
024 7 $a10.1163/9789401206952
035   $a(CKB)2550000000073982
035   $a(EBL)819917
035   $a(OCoLC)768083027
035   $a(SSID)ssj0000645231
035   $a(PQKBManifestationID)12259776
035   $a(PQKBTitleCode)TC0000645231
035   $a(PQKBWorkID)10681749
035   $a(PQKB)10874857
035   $a(MiAaPQ)EBC819917
035   $a(OCoLC)764302492$z(OCoLC)780291841
035   $a(nllekb)BRILL9789401206952
035   $a(PPN)193035251
035   $a(Au-PeEL)EBL819917
035   $a(CaPaEBR)ebr10519665
035   $a(CaONFJC)MIL336626
035   $a(EXLCZ)992550000000073982
100   $a20120104d2011      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aCommon places$b[electronic resource] $ethe poetics of African Atlantic postromantics /$fSeanna Sumalee Oakley
210   $aAmsterdam $cRodopi$d2011
215   $a1 online resource (320 p.)
225 1 $aTextxet
300   $aDescription based upon print version of record.
311   $a90-420-3408-4 
320   $aIncludes bibliographical references and index.
327   $aPreliminary Material -- OUT OF THE ABYSS: COMMONPLACES OF REPETITION AND REDEMPTION -- GLISSANT?S COMMON PLACES -- WALCOTT?S ALLEGORY OF HISTORY -- A BACKWARD FAITH IN WALCOTT?S ?THE SCHOONER FLIGHT? -- CLAUDIA RANKINE: JANE EYRE?S BLUES AT THE END OF THE ALPHABET -- DEAR DIARY: AMANIFESTO ? WEREWERE LIKING?S ELLE SERA DE JASPE ET DE CORAIL -- RITUALIZING UTOPIA IN ELLE SERA DE JASPE ET DE CORAIL -- MASKS OF AFFLICTION IN FRANKÉTIENNE?S HAITI -- FRANKÉTIENNE?S LOGORRHEA: AN EXCESS OF SEEMING -- ?THE HORIZON DEVOURS MY VOICE?: NOTES ON TRANSLATION -- BIBLIOGRAPHY -- INDEX.
330   $aWhile a great deal of postcolonial criticism has examined how the processes of hybridity, mestizaje, creolization, and syncretism impact African diasporic literature, Oakley employs the heuristic of the ?commonplace? to recast our sense of the politics of such literature. Her analysis of commonplace poetics reveals that postcolonial poetic and political moods and aspirations are far more complex than has been admitted. African Atlantic writers summon the utopian potential of Romanticism, which had been stricken by Anglo-European exclusiveness and racial entitlement, and project it as an attainable, differentially common future. Putting poets Frankétienne (Haiti), Werewere Liking (Côte d?Ivoire), Derek Walcott (St Lucia), and Claudia Rankine (Jamaica) in dialogue with Romantic poets and theorists, as well as with the more recent thinkers Édouard Glissant, Walter Benjamin, and Emmanuel Levinas, Oakley shows how African Atlantic poets formally revive Romantic forms, ranging from the social utopian manifesto to the počte maudit , in their pursuit of a redemptive allegory of African Atlantic experiences. Common Places addresses issues in African and Caribbean literary studies, Romanticism, poetics, rhetorical theory, comparative literature, and translation theory, and further, models a postcolonial critique in the aesthetic-ethical and ?new aestheticist? vein.
410  0$aText (Rodopi (Firm))
606   $aPoetics
606   $aAuthors, African
606   $aPostcolonialism in literature
608   $aElectronic books.
615  0$aPoetics.
615  0$aAuthors, African.
615  0$aPostcolonialism in literature.
676   $a909.83
700   $aOakley$b Seanna Sumalee$0884156
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910457387203321
996   $aCommon places$91974412
997   $aUNINA