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100   $a19950316d1996      ub             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aDeconstructive variations$b[electronic resource] $emusic and reason in western society /$fRose Rosengard Subotnik
210   $aMinneapolis $cUniversity of Minnesota Press$dc1996
215   $a1 online resource (376 p.)
300   $aDescription based upon print version of record.
311   $a0-8166-2198-5 
311   $a0-8166-2197-7 
320   $aIncludes bibliographical references (p. 213-298) and index.
327   $aWhose Magic flute? : intimations of reality at the gates of the Enlightenment -- How could Chopin's A-major prelude be deconstructed? -- Toward a deconstruction of structural listening : a critique of Schoenberg, Adorno, and Stravinsky -- The closing of the American dream? : a musical perspective on Allan Bloom, Spike Lee, and doing the right thing.
330   $aIn this sequel to her previous collection, Developing Variations, Subotnik applies the insights of Kant, Adorno, Bakhtin, and Derrida to major works of Mozart and Chopin.
606   $aMusic$xPhilosophy and aesthetics
606   $aMusic$xSocial aspects
606   $aMusical criticism
606   $aMusical analysis
608   $aElectronic books.
615  0$aMusic$xPhilosophy and aesthetics.
615  0$aMusic$xSocial aspects.
615  0$aMusical criticism.
615  0$aMusical analysis.
676   $a781/.1
700   $aSubotnik$b Rose Rosengard$0889752
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910457386903321
996   $aDeconstructive variations$91987879
997   $aUNINA