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200 1 $aBoundary layer theory$fHerrmann Schlichting , Klaus Gersten$gwith contributions from Egon Krause and HerbertOertel Jr.$gtranslated by Katherine Mayes.
205   $a8. revis. and enlarg. ed.
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200 04$aThe administration of aesthetics$b[electronic resource] $ecensorship, political criticism, and the public sphere /$fedited by Richard Burt (for the Social Text Collective)
210   $aMinneapolis, Minn. $cUniversity of Minnesota Press$dc1994
215   $a1 online resource (412 p.)
225 1 $aCultural politics ;$vv. 7
300   $aDescription based upon print version of record.
311   $a0-8166-2367-8 
311   $a0-8166-2365-1 
320   $aIncludes bibliographical references and index.
327   $aContents; Acknowledgments; Introduction: The ""New"" Censorship; Part I. Criticism, Censorship, and the Early Modern Public Sphere; Part II. Censorship and Modernity; Part III. The New Censorship and Postmodernity; Contributors; Index
330   $aThe ""new"" censorship of the arts, some cultural critics say, is just one more item on the ""new"" Right's agenda, and is part and parcel of attempts to regulate sexuality, curtail female reproductive rights, deny civil rights to gays and lesbians, and privatize public institutions. Although they do not contest this assessment, the writers gathered here expose crucial difficulties in using censorship, old and new, as a tool for cultural criticism. Focusing on historical moments ranging from early modern Europe to the postmodern United States, and covering a variety of media from books and pai
410  0$aCultural politics (Minneapolis, Minn.) ;$vv. 7.
606   $aCensorship
606   $aCriticism$xPolitical aspects
608   $aElectronic books.
615  0$aCensorship.
615  0$aCriticism$xPolitical aspects.
676   $a323.44
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