LEADER 02448nam 2200601Ia 450 001 9910457376203321 005 20200520144314.0 010 $a0-8166-8779-X 035 $a(CKB)1000000000347043 035 $a(EBL)310420 035 $a(OCoLC)299572524 035 $a(SSID)ssj0000130038 035 $a(PQKBManifestationID)11134887 035 $a(PQKBTitleCode)TC0000130038 035 $a(PQKBWorkID)10080687 035 $a(PQKB)10672701 035 $a(MiAaPQ)EBC310420 035 $a(OCoLC)191944195 035 $a(MdBmJHUP)muse38951 035 $a(Au-PeEL)EBL310420 035 $a(CaPaEBR)ebr10159581 035 $a(CaONFJC)MIL522447 035 $a(EXLCZ)991000000000347043 100 $a19971015d1998 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aContract with the skin$b[electronic resource] $emasochism, performance art, and the 1970s /$fKathy O'Dell 210 $aMinneapolis $cUniversity of Minnesota Press$dc1998 215 $a1 online resource (176 p.) 300 $aDescription based upon print version of record. 311 $a0-8166-2887-4 311 $a0-8166-2886-6 320 $aIncludes bibliographical references (p. 111-122) and index. 327 $aCONTENTS; LIST OF ILLUSTRATIONS; PREFACE; 1 HE GOT SHOT; 2 HIS MOUTH/HER SKIN; 3 MY MIRROR; 4 THEIR BEDS; 5 HOME AGAIN; 6 CONCLUSION; NOTES; SELECTED BIBLIOGRAPHY; INDEX 330 $aFocusing on 1970's performance artists Vito Acconci, Chris Burden, Gina Pane, and collaborators Marina Abramovi`c/Ulay as well as those with similar sensibilities from the late 1980's onward (Bob Flanagan, David Wojnarowicz, Simon Leung, Catherine Opie, Ron Athey, Lutz Bacher, and Robby Garfinkel), O'Dell provides photographic documentation of performances and quotations from interviews with many of the artists. Throughout, O'Dell asks what we can do about the institutionalized forms of masochism for which these performances are metaphors. 606 $aPerformance art 606 $aMasochism in art 608 $aElectronic books. 615 0$aPerformance art. 615 0$aMasochism in art. 676 $a700/.9/045 676 $a702.81 700 $aO'Dell$b Kathy$0998663 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910457376203321 996 $aContract with the skin$92290928 997 $aUNINA