LEADER 02843nam 2200661Ia 450 001 9910457363603321 005 20200520144314.0 010 $a0-8166-8664-5 035 $a(CKB)1000000000347101 035 $a(EBL)310364 035 $a(OCoLC)476094128 035 $a(SSID)ssj0000138507 035 $a(PQKBManifestationID)11136464 035 $a(PQKBTitleCode)TC0000138507 035 $a(PQKBWorkID)10100731 035 $a(PQKB)11546454 035 $a(MiAaPQ)EBC310364 035 $a(OCoLC)232159884 035 $a(MdBmJHUP)muse38995 035 $a(Au-PeEL)EBL310364 035 $a(CaPaEBR)ebr10159455 035 $a(CaONFJC)MIL523427 035 $a(EXLCZ)991000000000347101 100 $a19960805d1996 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDiasporic mediations$b[electronic resource] $ebetween home and location /$fR. Radhakrishnan 210 $aMinneapolis $cUniversity of Minnesota Press$d1996 215 $a1 online resource (249 p.) 300 $aDescription based upon print version of record. 311 $a0-8166-2641-3 311 $a0-8166-2640-5 320 $aIncludes bibliographical references and index. 327 $aContents; Acknowledgments; Introduction; 1 The Changing Subject and the Politics of Theory; 2 Toward an Effective Intellectual: Foucault or Gramsci?; 3 Ethnic Identity and Poststructuralist Differance; 4 Culture as Common Ground: Ethnicity and Beyond; 5 Canonicity and Theory: Toward a Poststructuralist Pedagogy; 6 Negotiating Subject Positions in an Uneven World; 7 Cultural Theory and the Politics of Location; 8 Postcoloniality and the Boundaries of Identity; 9 Nationalism, Gender, and the Narrative of Identity; 10 Is the Ethnic ""Authentic"" in the Diaspora?; Index 330 $aIn the heated, often rancorous debates that are the "culture wars," identity politics has been at the center of both popular and academic discussion. In this series of meditations on the relationship between theory and practice, R. Radhakrishnan probes the intersections of poststructuralism and postcoloniality that lie at the heart of contemporary controversies over identity and difference. 606 $aPostmodernism$xSocial aspects 606 $aCulture 606 $aEthnicity 606 $aIdentity (Psychology) 608 $aElectronic books. 615 0$aPostmodernism$xSocial aspects. 615 0$aCulture. 615 0$aEthnicity. 615 0$aIdentity (Psychology) 676 $a301.01 676 $a301/.01 676 $a306 700 $aRadhakrishnan$b R$g(Rajagopalan)$0855363 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910457363603321 996 $aDiasporic mediations$92290918 997 $aUNINA LEADER 06809nam 2201969 450 001 9910790629003321 005 20230803022045.0 010 $a1-4008-4974-8 024 7 $a10.1515/9781400849741 035 $a(CKB)2550000001136167 035 $a(EBL)1441376 035 $a(SSID)ssj0001048107 035 $a(PQKBManifestationID)11597141 035 $a(PQKBTitleCode)TC0001048107 035 $a(PQKBWorkID)10997232 035 $a(PQKB)11424676 035 $a(MiAaPQ)EBC1441376 035 $a(OCoLC)865565759 035 $a(MdBmJHUP)muse43361 035 $a(DE-B1597)453973 035 $a(OCoLC)979579884 035 $a(DE-B1597)9781400849741 035 $a(Au-PeEL)EBL1441376 035 $a(CaPaEBR)ebr10783692 035 $a(CaONFJC)MIL535870 035 $a(OCoLC)867925826 035 $a(EXLCZ)992550000001136167 100 $a20130709h20132013 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aInventing falsehood, making truth $eVico and Neapolitan painting /$fMalcolm Bull 205 $aCourse Book 210 1$aPrinceton, New Jersey :$cPrinceton University Press,$d[2013] 210 4$dİ2013 215 $a1 online resource (161 p.) 225 0 $aEssays in the Arts 225 0$aEssays in the arts 300 $aDescription based upon print version of record. 311 $a0-691-13884-2 311 $a1-306-04619-X 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $tPrologue -- $tOne. Vico -- $tTwo. Icastic Painting -- $tThree. Fantastic Painting -- $tFour. Theological Painting -- $tEpilogue -- $tNotes -- $tIndex 330 $a"Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made--through the exercise of fantasy.Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science. Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them--that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed"--$cProvided by publisher. 410 0$aEssays in the Arts 606 $aPainting$xPhilosophy 606 $aArt and philosophy$zItaly$xHistory$y18th century 606 $aPainting, Italian$zItaly$zNaples$y18th century 606 $aPainting, Baroque$zItaly$zNaples 606 $aTruth 610 $aAesthetics. 610 $aAnalogy. 610 $aAndrea Vaccaro. 610 $aAndrea del Sarto. 610 $aAnecdote. 610 $aAnnibale Carracci. 610 $aAnthropomorphism. 610 $aAtheism. 610 $aAtomism. 610 $aAugury. 610 $aBad Painting. 610 $aBaroque painting. 610 $aCaravaggio. 610 $aCaravaggisti. 610 $aCarlo Maratta. 610 $aCartesianism. 610 $aCatherine of Siena. 610 $aCertainty. 610 $aCertosa di San Martino. 610 $aChiaroscuro. 610 $aCimabue. 610 $aClassical mythology. 610 $aClassicism. 610 $aConsciousness. 610 $aCubism. 610 $aDaniello Bartoli. 610 $aDemocritus. 610 $aDepiction. 610 $aDivine Truth. 610 $aDivine judgment. 610 $aDivine providence. 610 $aDomenichino. 610 $aDrapery. 610 $aEpicurus. 610 $aExorcism. 610 $aFall of Simon Magus (Pompeo Batoni). 610 $aFalsity. 610 $aFlagellation of Christ. 610 $aFrancesco Solimena. 610 $aGiambattista Vico. 610 $aGiotto. 610 $aGod the Father. 610 $aGuido Reni. 610 $aHenri Bergson. 610 $aIconoclasm. 610 $aIconography. 610 $aIllustration. 610 $aJules Michelet. 610 $aLas Meninas. 610 $aLibri Carolini. 610 $aLodovico Dolce. 610 $aLuca Giordano. 610 $aLucretius. 610 $aLudovico Carracci. 610 $aMannerism. 610 $aMetaphor. 610 $aMetonymy. 610 $aMichelangelo. 610 $aMuseo del Prado. 610 $aNeoplatonism. 610 $aPainting. 610 $aParagone. 610 $aParmigianino. 610 $aPenitential. 610 $aPentimento. 610 $aPetrarch. 610 $aPhilosopher. 610 $aPhilosophical skepticism. 610 $aPhilosophy. 610 $aPietro Aretino. 610 $aPietro da Cortona. 610 $aPoetry. 610 $aPutto. 610 $aReligion. 610 $aRhetoric. 610 $aRoman Baroque. 610 $aSacristy. 610 $aSaint Dominic. 610 $aSaint Francis Receiving the Stigmata (van Eyck). 610 $aSalvator Rosa. 610 $aSan Domenico Maggiore. 610 $aSan Gregorio Armeno. 610 $aScientific skepticism. 610 $aSimon Magus. 610 $aSkepticism. 610 $aSpanish art. 610 $aStill life. 610 $aTenebrism. 610 $aThe Carracci. 610 $aThe Expulsion of Heliodorus from the Temple. 610 $aThe Gay Science. 610 $aThe New Science. 610 $aThe Philosopher. 610 $aTheology. 610 $aThomas Aquinas. 610 $aTintoretto. 610 $aTitian. 610 $aTommaso Campanella. 610 $aTruth. 610 $aZeuxis. 615 0$aPainting$xPhilosophy. 615 0$aArt and philosophy$xHistory 615 0$aPainting, Italian 615 0$aPainting, Baroque 615 0$aTruth. 676 $a759.5/73 686 $aART015030$aART015090$aHIS020000$aPHI000000$2bisacsh 700 $aBull$b Malcolm$0480974 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910790629003321 996 $aInventing falsehood, making truth$93708026 997 $aUNINA