LEADER 01234nam--2200385---450- 001 990000749910203316 005 20091112133040.0 010 $a0-333-61362-7 035 $a0074991 035 $aUSA010074991 035 $a(ALEPH)000074991USA01 035 $a0074991 100 $a20011119d1994----km-y0itay0103----ba 101 $aeng 102 $aGB 105 $a||||||||001yy 200 1 $aFrom adjustment to development in Africa$econflict, controversy, convergence, consensus?$fedited by Giovanni Andrea Cornia and Gerald K. Helleiner 210 $aHoundmills$cMacmillan$d1994 215 $aXXIV, 417 p.$d22 cm 410 $12001 606 $aAfrica centrale$xPolitica economica 676 $a338.967 702 1$aCORNIA,$bGiovanni Andrea 702 1$aHELLEINER,$bGerald K. 801 0$aIT$bsalbc$gISBD 912 $a990000749910203316 951 $a338.967 FRO 1 (IG ING VIII 16 754)$b12373 G$cIG ING VIII$d00251696 959 $aBK 969 $aECO 979 $aPATTY$b90$c20011119$lUSA01$h1404 979 $c20020403$lUSA01$h1723 979 $aPATRY$b90$c20040406$lUSA01$h1652 979 $aRSIAV3$b90$c20091112$lUSA01$h1330 996 $aFrom Adjustment to Development in Africa$9460679 997 $aUNISA LEADER 03631oam 2200649I 450 001 9910457354503321 005 20200520144314.0 010 $a1-283-60605-4 010 $a9786613918505 010 $a1-134-90010-4 010 $a0-203-14221-7 024 7 $a10.4324/9780203142219 035 $a(CKB)1000000000361159 035 $a(EBL)179867 035 $a(OCoLC)181783786 035 $a(SSID)ssj0000365634 035 $a(PQKBManifestationID)11271020 035 $a(PQKBTitleCode)TC0000365634 035 $a(PQKBWorkID)10414064 035 $a(PQKB)10148503 035 $a(MiAaPQ)EBC179867 035 $a(Au-PeEL)EBL179867 035 $a(CaPaEBR)ebr10060854 035 $a(CaONFJC)MIL391850 035 $a(OCoLC)810924674 035 $a(EXLCZ)991000000000361159 100 $a20180331d1993 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aScreening the male $eexploring masculinities in Hollywood cinema /$fedited by Steven Cohan and Ina Rae Hark 210 1$aLondon ;$aNew York :$cRoutledge,$d1993. 215 $a1 online resource (287 p.) 300 $aDescription based upon print version of record. 311 $a1-138-16951-X 311 $a0-415-07759-1 320 $aIncludes bibliographical references and indexes. 327 $aCover; SCREENING THE MALE: Exploring masculinities in Hollywood cinema; Copyright; CONTENTS; NOTES ON CONTRIBUTORS; INTRODUCTION; PROLOGUE MASCULINITY AS SPECTACLE : Reflections on men and mainstream cinema; Part I STAR TURNS; 1 VALENTINO, 'OPTIC INTOXICATION,' AND DANCE MADNESS; 2 'FEMINIZING' THE SONG-AND-DANCE MAN: Fred Astaire and the spectacle of masculinity in the Hollywood musical; 3 MAMA'S BOY: Filial hysteria in White Heat; Part II MEN IN WOMEN'S PLACES; 4 THE DIALECTIC OF FEMALE POWER AND MALE HYSTERIA IN PLAY MISTY FOR ME; 5 'DON'T BLAME THIS ON A GIRL': Female rape-revenge films 327 $a6 DARK DESIRES: Male masochism in the horror film7 'MORE HUMAN THAN I AM ALONE': Womb envy in David Cronenberg's The Fly and Dead Ringers; Part III MAN TOMAN; 8 ANIMALS OR ROMANS: Looking at masculinity in Spartacus; 9 FEMINISM, 'THE BOYZ,' AND OTHER MATTERS REGARDING THE MALE; 10 THE BUDDY POLITIC; Part IV MUSCULAR MASCULINITIES; 11 MASCULINITY AS MULTIPLE MASQUERADE: The 'mature' Stallone and the Stallone clone; 12 DUMB MOVIES FOR DUMB PEOPLE: Masculinity, the body, and the voice in contemporary action cinema; 13 CAN MASCULINITY BE TERMINATED?; INDEX OF FILMS; GENERAL INDEX 330 $aScreening the male re-examines the problematic status of masculinity both in Hollywood cinema and feminist film theory.Classical Hollywood cinema has been theoretically established as a vast pleasure machine, manufacturing an idealized viewer through its phallocentric ideological apparatus. Feminist criticism has shown how difficult it is for the female viewer to resist becoming implicated in this representational system. But the theroies have overlooked the significance of the problem itself - of the masuline motivation at the core of the system. The essays here explore those mal 606 $aMen in motion pictures 606 $aSex in motion pictures 608 $aElectronic books. 615 0$aMen in motion pictures. 615 0$aSex in motion pictures. 676 $a791.43/652041 701 $aCohan$b Steven$0919231 701 $aHark$b Ina Rae$0868790 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910457354503321 996 $aScreening the male$92061722 997 $aUNINA