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010   $a1-280-83388-2
010   $a9786610833887
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100   $a20060510d2006      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aDeleuze, cinema and national identity$b[electronic resource] $enarrative time in national contexts /$fDavid Martin-Jones
210   $aEdinburgh $cEdinburgh University Press$d2006
215   $a1 online resource (257 p.)
300   $aDescription based upon print version of record.
311   $a0-7486-2244-6 
320   $aIncludes bibliographical references and index.
320   $a"Selected filmography."
327   $aContents; Illustrations; Acknowledgements; Part I Deleuze and Narrative Time; CHAPTER 1 History; CHAPTER 2 Memory; Part II Movement-/Time-Image Films; CHAPTER 3 National Identity in the Global City; CHAPTER 4 American Triumphalism and the First Gulf War; CHAPTER 5 Renegotiating the National Past after 9/11; CHAPTER 6 The Pacific Rim; Conclusion: Blind Chance and Possible Futures; Select Bibliography; Select Filmography; Index
330   $aThis book challenges the traditional use of Deleuze's philosophy to examine European art cinema. It explores how Deleuze can be used to analyse national identity across a range of different cinemas. Focusing on narrative time it combines a Deleuzean approach with a vast range of non-traditional material. The films discussed are contemporary and popular (either financial or cult successes), and include Eternal Sunshine of the Spotless Mind, Terminator 3, Memento, Saving Private Ryan, Run Lola Run, Sliding Doors, Chaos and Peppermint Candy. Each film is examined in light of a major historical ev
606   $aMotion pictures$xAesthetics
606   $aMotion pictures$xPhilosophy
606   $aNationalism in motion pictures
608   $aElectronic books.
615  0$aMotion pictures$xAesthetics.
615  0$aMotion pictures$xPhilosophy.
615  0$aNationalism in motion pictures.
676   $a791.4301
700   $aMartin-Jones$b David$0997044
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910457330303321
996   $aDeleuze, cinema and national identity$92447617
997   $aUNINA