LEADER 03690nam 2200721Ia 450 001 9910457325603321 005 20200520144314.0 010 $a0-7486-5112-8 010 $a9786610762484 010 $a1-280-76248-9 010 $a0-7486-2994-7 035 $a(CKB)1000000000351143 035 $a(EBL)286983 035 $a(OCoLC)476039543 035 $a(SSID)ssj0000150391 035 $a(PQKBManifestationID)11160674 035 $a(PQKBTitleCode)TC0000150391 035 $a(PQKBWorkID)10279944 035 $a(PQKB)11253170 035 $a(SSID)ssj0000359601 035 $a(PQKBManifestationID)12132152 035 $a(PQKBTitleCode)TC0000359601 035 $a(PQKBWorkID)10317535 035 $a(PQKB)11445370 035 $a(StDuBDS)EDZ0000055496 035 $a(MiAaPQ)EBC286983 035 $a(Au-PeEL)EBL286983 035 $a(CaPaEBR)ebr10435294 035 $a(CaONFJC)MIL76248 035 $a(EXLCZ)991000000000351143 100 $a20061025d2007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aEuropean cinemas in the television age$b[electronic resource] /$fDorota Ostrowska and Graham Roberts; contributions by Gunhild Agger ... [et al.] 210 $aEdinburgh $cEdinburgh University Press$d2007 215 $a1 online resource (209 p.) 300 $aDescription based upon print version of record. 311 $a0-7486-2308-6 311 $a0-7486-2309-4 320 $aIncludes bibliographical references (p. 173-185) and index. 327 $aCOVER; COPYRIGHT; CONTENTS; PREFACE; ACKNOWLEDGEMENTS; CONTRIBUTORS; 1. INTRODUCTION: A CULTURAL ECOLOGY OF FILM AND TELEVISION IN EUROPE; 2. BRITAIN: MEET MR LUCIFER: BRITISH CINEMA UNDER THE SPELL OF TV; 3. FRANCE: CINEMATIC TELEVISION OR TELEVISUAL CINEMA: INA AND CANAL; 4. ITALY: CINEMA AND TELEVISION: COLLABORATORS AND THREAT; 5. SPAIN: BIPOLAR VISIONS, UNIFIED REALITIES: A GENERAL OVERVIEW; 6. GERMANY: SCREEN WARS: GERMAN NATIONAL CINEMA IN THE AGE OF TELEVISION; 7. DENMARK:THE ELEMENT OF CHILDHOOD FROM CHILDREN'S TELEVISION TO DOGME 95 327 $a8. POLAND: COSTUME DRAMAS: CINE-TELEVISUAL ALLIANCES IN THE SOCIALIST AND POST-SOCIALIST POLAND9.AUDIO-VISUAL PRODUCTION CULTURES: CONVERGENCE AND RESISTANCE; 10. KINESTHETICS: CINEMATIC FORMS IN THE AGE OF TELEVISION; 11. REPRODUCTION: RE-CREATION OF CINEMA VIA THE DOMESTIC SCREEN; BIBLIOGRAPHY; INDEX 330 $aEuropean Cinemas in the Television Age is a radical attempt to rethink the post-war history of European cinemas. The authors approach the subject from the perspective of television's impact on the culture of cinema's production, distribution, consumption and reception. Thus they indicate a new direction for the debate about the future of cinema in Europe. In every European country television has transformed economic, technological and aesthetic terms in which the process of cinema production had been conducted. Television's growing popularity has drastically reshaped cinema's audiences and for 606 $aMotion picture industry$zEurope 606 $aMotion pictures and television$zEurope 606 $aMotion pictures$zEurope$xHistory 608 $aElectronic books. 615 0$aMotion picture industry 615 0$aMotion pictures and television 615 0$aMotion pictures$xHistory. 676 $a791.43094 701 $aOstrowska$b Dorota$f1973-$01037496 701 $aRoberts$b Graham$f1957-$0955150 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910457325603321 996 $aEuropean cinemas in the television age$92458525 997 $aUNINA