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100   $a19871104d1988      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aActing in the cinema$b[electronic resource] /$fJames Naremore
210   $aBerkeley $cUniversity of California Press$dc1988
215   $a1 online resource (318 p.)
300   $aFirst paperback printing 1990.
311   $a0-520-07194-8 
311   $a0-520-06228-0 
320   $aIncludes bibliographical references (p. 287-293) and index.
327   $apt. 1. Performance in the age of mechanical reproduction -- pt. 2. Star performances -- pt. 3. Film as a performance text.
330   $aIn this richly detailed study, James Naremore focuses on the work of film acting, showing what players contribute to movies. Ranging from the earliest short subjects of Charles Chaplin to the contemporary features of Robert DeNiro, he develops a useful means of analyzing performance in the age of mechanical reproduction; at the same time, he reveals the ideological implications behind various approaches to acting, and suggests ways that behavior on the screen can be linked to the presentation of self in society.Naremore's discussion of such figures as Lillian Gish, Marlene Dietrich, James Cagney, and Cary Grant will interest the specialist and the general reader alike, helping to establish standards and methods for future writing about performers and their craft.
606   $aMotion picture acting
606   $aMotion pictures$zUnited States
608   $aElectronic books.
615  0$aMotion picture acting.
615  0$aMotion pictures
676   $a791.43/028
700   $aNaremore$b James$0456838
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910457269503321
996   $aActing in the Cinema$91677906
997   $aUNINA