LEADER 05309nam 2200685Ia 450 001 9910457260803321 005 20200520144314.0 010 $a0-674-07194-8 010 $a0-674-06311-2 024 7 $a10.4159/harvard.9780674063112 035 $a(CKB)2550000000085798 035 $a(OCoLC)773672019 035 $a(CaPaEBR)ebrary10524464 035 $a(SSID)ssj0000599637 035 $a(PQKBManifestationID)11369838 035 $a(PQKBTitleCode)TC0000599637 035 $a(PQKBWorkID)10596204 035 $a(PQKB)11556703 035 $a(MiAaPQ)EBC3301033 035 $a(DE-B1597)178118 035 $a(OCoLC)840445349 035 $a(DE-B1597)9780674063112 035 $a(Au-PeEL)EBL3301033 035 $a(CaPaEBR)ebr10524464 035 $a(EXLCZ)992550000000085798 100 $a20110415d2012 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aNo enemies, no hatred$b[electronic resource] $eselected essays and poems /$fLiu Xiaobo ; edited by Perry Link, Tienchi Martin-Liao, and Liu Xia ; with a foreword by Va\0301clav Havel 210 $aCambridge, Mass. $cBelknap Press of Harvard University Press$d2012 215 $a1 online resource (393 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-674-07232-4 311 $a0-674-06147-0 320 $aIncludes bibliographical references and index. 327 $t Frontmatter -- $tCONTENTS -- $tFOREWORD / $rHavel, Václav -- $tINTRODUCTION -- $tPART I. POLITICS WITH CHINESE CHARACTERISTICS -- $tLISTEN CAREFULLY TO THE VOICES OF THE TIANANMEN MOTHERS -- $tTO CHANGE A REGIME BY CHANGING A SOCIETY -- $tTHE LAND MANIFESTOS OF CHINESE FARMERS -- $tXIDAN DEMOCRACY WALL AND CHINA'S ENLIGHTENMENT -- $tTHE SPIRITUAL LANDSCAPE OF THE URBAN YOUNG IN POST-TOTALITARIAN CHINA -- $tBELLICOSE AND THUGGISH -- $tSTATE OWNERSHIP OF LAND IS THE AUTHORITIES' MAGIC WAND FOR FORCED EVICTION -- $tA DEEPER LOOK INTO WHY CHILD SLAVERY IN CHINA'S "BLACK KILNS" COULD HAPPEN -- $tTHE SIGNIFICANCE OF THE "WENG'AN INCIDENT" -- $tPART II. CULTURE AND SOCIETY -- $tEPILOGUE TO CHINESE POLITICS AND CHINA'S MODERN INTELLECTUALS -- $tON LIVING WITH DIGNITY IN CHINA -- $tELEGY TO LIN ZHAO, LONE VOICE OF CHINESE FREEDOM -- $tBA JIN -- $tTHE EROTIC CARNIVAL IN RECENT CHINESE HISTORY -- $tFROM WANG SHUO'S WICKED SATIRE TO HU GE'S EGAO -- $tYESTERDAY'S STRAY DOG BECOMES TODAY'S GUARD DOG -- $tLONG LIVE THE INTERNET -- $tIMPRISONING PEOPLE FOR WORDS AND THE POWER OF PUBLIC OPINION -- $tPART III. CHINA AND THE WORLD -- $tBEHIND THE "CHINA MIRACLE" -- $tBEHIND THE RISE OF THE GREAT POWERS -- $tTHE COMMUNIST PARTY'S "OLYMPIC GOLD MEDAL SYNDROME" -- $tHONG KONG TEN YEARS AFTER THE HANDOVER -- $tSO LONG AS HAN CHINESE HAVE NO FREEDOM, TIBETANS WILL HAVE NO AUTONOMY -- $tOBAMA'S ELECTION, THE REPUBLICAN FACTOR, AND A PROPOSAL FOR CHINA -- $tPART IV. DOCUMENTS -- $tTHE JUNE SECOND HUNGER STRIKE DECLARATION -- $tA LETTER TO LIAO YIWU -- $tUSING TRUTH TO UNDERMINE A SYSTEM BUILT ON LIES -- $tCHARTER 08 -- $tMY SELF-DEFENSE -- $tI HAVE NO ENEMIES -- $tTHE CRIMINAL VERDICT -- $tBIBLIOGRAPHY -- $tACKNOWLEDGMENTS -- $tINDEX 330 $aWhen the Nobel Peace Prize was awarded on December 10, 2010, its recipient, Liu Xiaobo, was in Jinzhou Prison, serving an eleven-year sentence for what Beijing called "incitement to subvert state power." In Oslo, actress Liv Ullmann read a long statement the activist had prepared for his 2009 trial. It read in part: "I stand by the convictions I expressed in my 'June Second Hunger Strike Declaration' twenty years ago-I have no enemies and no hatred. None of the police who monitored, arrested, and interrogated me, none of the prosecutors who indicted me, and none of the judges who judged me are my enemies."That statement is one of the pieces in this book, which includes writings spanning two decades, providing insight into all aspects of Chinese life. These works not only chronicle a leading dissident's struggle against tyranny but enrich the record of universal longing for freedom and dignity. Liu speaks pragmatically, yet with deep-seated passion, about peasant land disputes, the Han Chinese in Tibet, child slavery, the CCP's Olympic strategy, the Internet in China, the contemporary craze for Confucius, and the Tiananmen massacre. Also presented are poems written for his wife, Liu Xia, public documents, and a foreword by Václav Havel.This collection is an aid to reflection for Western readers who might take for granted the values Liu has dedicated his life to achieving for his homeland. 606 $aChinese essays$y21st century 606 $aEssays$y21st century 606 $aChinese poetry$y21st century 608 $aElectronic books. 615 0$aChinese essays 615 0$aEssays 615 0$aChinese poetry 676 $a895.1/452 700 $aLiu$b Xiaobo$f1955-$01053020 701 $aLink$b E. Perry$g(Eugene Perry),$f1944-$0283752 701 $aMartin-Liao$b Tienchi$01053021 701 $aLiu$b Xia$f1959-$01053022 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910457260803321 996 $aNo enemies, no hatred$92484648 997 $aUNINA 999 $p$9.75$u05/09/2019$5Eng LEADER 05311nam 2200589 a 450 001 9910792058303321 005 20230802012951.0 010 $a1-299-28185-0 010 $a90-8890-123-6 035 $a(CKB)2560000000099481 035 $a(EBL)1142818 035 $a(OCoLC)830162162 035 $a(SSID)ssj0001107814 035 $a(PQKBManifestationID)11602008 035 $a(PQKBTitleCode)TC0001107814 035 $a(PQKBWorkID)11085715 035 $a(PQKB)10774396 035 $a(MiAaPQ)EBC1142818 035 $a(Au-PeEL)EBL1142818 035 $a(CaPaEBR)ebr10723874 035 $a(CaONFJC)MIL459435 035 $a(EXLCZ)992560000000099481 100 $a20130708d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe value of an archaeological open-air museum is in its use$b[electronic resource] $eunderstanding archaeological open-air museums and their visitors /$fRoeland Paardekooper 210 $aLeiden $cSidestone Press$d2012 215 $a1 online resource (347 p.) 300 $aDescription based upon print version of record. 311 $a90-8890-103-1 320 $aIncludes bibliographical references. 327 $aList of Figures; Acknowledgements; Introduction; 1.1 The Goal of This Research; The History and Development of Archaeological Open-Air Museums; 2.1 Introduction; 2.2 Definition; 2.3 Deconstructing the Literature Sources; 2.4 Themes; 2.4.1 Romanticism; 2.4.2 Nationalism; 2.4.3 Germany in the 20th Century; 2.4.4 Science and Experiment; 2.4.5 Education and Learning; 2.4.6 Tourism, Leisure and Events; 2.5 Typifying the Museums - what is their Role?; 2.5.1 Traditional Showcase Museum / Exhibition on Site or elsewhere; 2.5.2 Archaeological or Historical Site / Site Museum 327 $a2.5.3 Traditional (Ethnographic) Open-Air Museum / Historic House2.5.4 Natural Park or Cultural Landscape; 2.5.5 (Re)constructed Boat / Ship; 2.5.6 Living History Museum; 2.5.7 Animal Farm; 2.5.8 Theme Park; 2.6 Conclusions; Methods and Sources; 3.1 Introduction; 3.2 Deriving Precise Questions; 3.3 Critical Incident Analysis; 3.4 Setting Research Parameters; 3.5 Data Collection; 3.5.1 Parameters and Practicalities; 3.5.2 Language and Definitions; 3.5.3 Publications; 3.5.4 The Internet; 3.5.5 Grey Literature; 3.6 Broad Scale Observations; 3.7 Focussing to a Smaller Scale: Case Studies 327 $a3.7.1 Selection of the Sample Museums, Structure & Size of the Sample3.7.2 Collection of Data from Aims and as experienced; 3.7.3 Measurement of the Quality provided by the Museum Management for the Case Studies; 3.7.4 Measurement of the Quality experienced by Museum Visitors for the Case Studies; 3.7.5 Conclusions; 3.8 The Gaps in Quality; 3.9 Conclusions; Broad Scale Observations; 4.1 Introduction; 4.2 Surveys; 4.2.1 First Survey; 4.2.2 Second Survey; 4.2.3. Survey Design; 4.3 Types of Museum Display; 4.4 Age; 4.5 Geography; 4.6 Visitor Numbers; 4.7 Keywords; 4.8 Governance 327 $a4.9 Funding Issues, the EU4.10 Archaeology; 4.11 Conclusions; Eight Archaeological Open-Air Museum Case Studies; 5.1 Introduction; 5.2 The Scottish Crannog Centre; 5.2.1 Introduction to the Scottish Crannog Centre; 5.2.2 Education; 5.2.3 Map; 5.2.4 Management and Finances; 5.2.5 Collections; 5.2.6 Interpretation; 5.2.7 Visitor Service; 5.2.8 Understanding the Visitors to the Scottish Crannog Centre; 5.2.9 Key Strengths and Challenges for the Scottish Crannog Centre; 5.3 HOME; 5.3.1 Introduction to HOME; 5.3.2 Education; 5.3.3 Map; 5.3.4 Management and Finances; 5.3.5 Collections 327 $a5.3.6 Interpretation5.3.7 Visitor Service; 5.3.8 Understanding the Visitors to HOME; 5.3.9 Key Strengths and Challenges for HOME; 5.4 The Pfahlbaumuseum; 5.4.1 Introduction to the Pfahlbaumuseum; 5.4.2 Education; 5.4.3 Map; 5.4.4 Management and Finances; 5.4.5 Collections; 5.4.6 Interpretation; 5.4.7 Visitor Service; 5.4.8 Understanding the Visitors to the Pfahlbaumuseum; 5.4.9 Key Strengths and Challenges for the Pfahlbaumuseum; 5.5 Lofotr; 5.5.1 Introduction to Lofotr; 5.5.2 Education; 5.5.3 Map; 5.5.4 Management and Finances; 5.5.5 Collections; 5.5.6 Interpretation; 5.5.7 Visitor Service 327 $a5.5.8 Understanding the Visitors to Lofotr 330 $aThere are about 300 archaeological open-air museums in Europe. Their history goes from Romanticism up to modern-day tourism. With the majority dating to the past 30 years, they do more than simply present (re)constructed outdoor sceneries based on archaeology. They have an important role as education facilities and many showcase archaeology in a variety of ways. Compared to other museum categories, archaeological open-air museums boast a wide variety of manifestations. This research assesses the value of archaeological open-air museums, their management and their visitors, and is the first to 606 $aArchaeological museums and collections 615 0$aArchaeological museums and collections. 676 $a708.81 700 $aPaardekooper$b Roeland$01555809 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910792058303321 996 $aThe value of an archaeological open-air museum is in its use$93817993 997 $aUNINA