LEADER 02111nam 2200553 a 450 001 9910457245603321 005 20200520144314.0 010 $a0-292-73541-3 035 $a(CKB)2550000000073465 035 $a(OCoLC)771288303 035 $a(CaPaEBR)ebrary10519726 035 $a(SSID)ssj0000550913 035 $a(PQKBManifestationID)11381823 035 $a(PQKBTitleCode)TC0000550913 035 $a(PQKBWorkID)10524477 035 $a(PQKB)10154914 035 $a(MiAaPQ)EBC3443575 035 $a(MdBmJHUP)muse599 035 $a(Au-PeEL)EBL3443575 035 $a(CaPaEBR)ebr10519726 035 $a(EXLCZ)992550000000073465 100 $a20110606d2011 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAmerican film cycles$b[electronic resource] $ereframing genres, screening social problems, and defining subcultures /$fAmanda Ann Klein 205 $a1st ed. 210 $aAustin $cUniversity of Texas Press$dc2011 215 $a1 online resource (256 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-292-72680-5 320 $aIncludes bibliographical references and index. 327 $aIntroduction: love at first sight -- Real gangsters do cry: a cyclical approach to film genres -- Real gangsters do cry: understanding how film cycles change over time -- I was a teenage film cycle: the relationship between youth subcultures and film cycles -- Not only screen but the projector as well: the relationship between race and film cycles -- Conclusion: love, disdain, and the future of cycle studies. 606 $aFilm genres$zUnited States 606 $aMotion pictures$xSocial aspects$zUnited States 608 $aElectronic books. 615 0$aFilm genres 615 0$aMotion pictures$xSocial aspects 676 $a302.23/43 700 $aKlein$b Amanda Ann$f1976-$01032196 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910457245603321 996 $aAmerican film cycles$92449962 997 $aUNINA