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100   $a19970917d1998      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aPower performance for singers$b[electronic resource] $etranscending the barriers /$fShirlee Emmons, Alma Thomas
210   $aNew York $cOxford University Press$d1998
215   $a1 online resource (337 p.)
300   $aDescription based upon print version of record.
311   $a0-19-511224-5 
320   $aIncludes bibliographical references and index.
327   $apt. 1. The power of performance -- pt. 2. Preperformance -- pt. 3. Performance -- pt. 4. Postperformance.
330   $aTo perform well in today's highly competitive world where technical skills have been advanced to an unprecedented degree, a singer must be able to handle incredible pressure within the performing arena; his or her ability to deal with this stress will often determine whether he or she will succeed. Why, then, do singers with less technical skill sometimes out-perform stars? Why do some stars suddenly stop performing? What is that mysterious factor that makes an electric performance? Consistent, competent performances do not depend solely upon superior vocal skills, nor are they a matter of luc
606   $aSinging$xPsychological aspects
608   $aElectronic books.
615  0$aSinging$xPsychological aspects.
676   $a783/.043
700   $aEmmons$b Shirlee$0938000
701   $aThomas$b Alma$f1939-$0978244
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910457144503321
996   $aPower performance for singers$92229419
997   $aUNINA