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010   $a9786610149933
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035   $a(OCoLC)226376617
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035   $a(PQKBTitleCode)TC0000121976
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100   $a20180331d1996      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aChrist's body $eidentity, culture, and society in late medieval writings /$fSarah Beckwith
210  1$aLondon :$cRoutledge,$d1996.
215   $a1 online resource (212 p.)
300   $aDescription based upon print version of record.
311   $a1-138-17491-2 
311   $a0-415-14426-4 
320   $aIncludes bibliographical references and index.
327   $aPreliminaries; CONTENTS; Acknowledgements; Introduction; 1 THE TRANSCENDENT AND THE HISTORICAL Inventing the discourse of mysticism; 2 CHRIST'S BODY AND THE IMAGING OF SOCIAL ORDER; 3  DYVERSE IMAGINACIOUNS OF CRYSTES LYF Subjectivity embodiment and crucifixion piety; 4 THE USES OF CORPUS CHRISTI AND THE BOOK OF MARGERY KEMPE; CONCLUSION; Notes; Works cited; Index
330   $aAt the very heart of Christian doctrine and late medieval practice was the image of the crucified Christ. Sarah Beckwith examines the social meaning of this image across a range of key devotional English texts, using insights from anthropology and cultural studies. The image of the crucified Christ, she argues, acted as a place where the tensions between the sacred and the profane, the individual and the collective, were played out. The medieval obsession with the contours of Christ's body functioned to challenge and transform social and political relations. A fascinating and challengi
606   $aChristian art and symbolism$yMedieval, 500-1500
606   $aDevotional literature$xHistory and criticism
606   $aHuman body$xReligious aspects$xChristianity
608   $aElectronic books.
615  0$aChristian art and symbolism
615  0$aDevotional literature$xHistory and criticism.
615  0$aHuman body$xReligious aspects$xChristianity.
676   $a2480940902
676   $a809.93382
700   $aBeckwith$b Sarah$f1959,$0850428
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910457086103321
996   $aChrist's body$91898786
997   $aUNINA