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100   $a20110308d2011      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aMusic, masculinity and the claims of history$b[electronic resource] $ethe Austro-German tradition from Hegel to Freud /$fIan Biddle
210   $aBurlington, Vt. $cAshgate$dc2011
215   $a1 online resource (245 p.)
300   $aDescription based upon print version of record.
311   $a1-322-87751-3 
311   $a1-4094-2095-7 
320   $aIncludes bibliographical references and index.
327   $aCover; Contents; List of Figures; Introduction; 1 Discourse Channels: Listening as a Cultural-Historical Category in the Austro-German Fru?hromantik; 3 Rage Against the Rabble: Gender Nostalgia and the Metropolitan Imagination in Heinrich Schenker's Kontrapunkt (1910 and 1922); 4 Song of the Body: Mahler, Kafka and the Male Jewish Body at the Habsburg fin de sie?cle; 5 Postlude; Bibliography; Index
330   $aWhat does it mean to think of Western Art music - and the Austro-German contribution to that repertory - as a tradition? How are men and masculinities implicated in the shaping of that tradition? And how is the writing of the history (or histories) of that tradition shaped by men and masculinities? This book seeks to answer these and other questions.
606   $aMusic$zEurope, German-speaking$y19th century$xHistory and criticism
606   $aMusic$zEurope, German-speaking$y20th century$xHistory and criticism
606   $aMasculinity in music
608   $aElectronic books.
615  0$aMusic$xHistory and criticism.
615  0$aMusic$xHistory and criticism.
615  0$aMasculinity in music.
676   $a780.943
700   $aBiddle$b Ian D$0959052
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801  1$bMiAaPQ
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906   $aBOOK
912   $a9910457052203321
996   $aMusic, masculinity and the claims of history$92252719
997   $aUNINA