LEADER 05268nam 2200853Ia 450 001 9910457028703321 005 20211005075053.0 010 $a0-8232-3834-2 010 $a0-8232-4692-2 010 $a1-282-69880-X 010 $a9786612698804 010 $a0-8232-2870-3 024 7 $a10.1515/9780823238347 035 $a(CKB)2520000000008072 035 $a(EBL)3239452 035 $a(SSID)ssj0000081515 035 $a(PQKBManifestationID)11120377 035 $a(PQKBTitleCode)TC0000081515 035 $a(PQKBWorkID)10112406 035 $a(PQKB)10427901 035 $a(SSID)ssj0001630436 035 $a(PQKBManifestationID)16377642 035 $a(PQKBTitleCode)TC0001630436 035 $a(PQKBWorkID)12640939 035 $a(PQKB)10983790 035 $a(MiAaPQ)EBC3239452 035 $a(OCoLC)835503715 035 $a(MdBmJHUP)muse14909 035 $a(DE-B1597)555048 035 $a(DE-B1597)9780823238347 035 $a(Au-PeEL)EBL3239452 035 $a(CaPaEBR)ebr10365070 035 $a(CaONFJC)MIL269880 035 $a(OCoLC)730040887 035 $a(OCoLC)1178770141 035 $a(MiAaPQ)EBC476655 035 $a(Au-PeEL)EBL476655 035 $a(OCoLC)647876412 035 $a(EXLCZ)992520000000008072 100 $a20080219e20081936 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe Chinese written character as a medium for poetry$b[electronic resource] $ea critical edition /$fErnest Fenollosa and Ezra Pound; edited by Haun Saussy, Jonathan Stalling, and Lucas Klein 210 $aNew York $cFordham University Press$d2008 215 $a1 online resource (336 p.) 300 $aOriginally published: London : Stanley Nott, 1936. 311 $a0-8232-2869-X 311 $a0-8232-2868-1 320 $aIncludes bibliographical references. 327 $tFrontmatter -- $tContents -- $tList of Illustrations -- $tConventions -- $tPreface -- $tFenollosa Compounded: A Discrimination -- $tThe Chinese Written Character as a Medium for Poetry: An Ars Poetica -- $tAppendix: With Some Notes by a Very Ignorant Man -- $tThe Chinese Written Language as a Medium for Poetry -- $tSynopsis of Lectures on Chinese and Japanese Poetry -- $tChinese and Japanese Poetry. Draft of Lecture I. Vol. II. -- $tChinese and Japanese Traits -- $tThe Coming Fusion of East and West -- $tChinese Ideals -- $t[Retrospect on the Fenollosa Papers] -- $tNotes -- $tWorks Cited 330 $aFirst published in 1919 by Ezra Pound, Ernest Fenollosa?s essay on the Chinese written language has become one of the most often "ed statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound?s understanding?it is fair to say, his appropriation?of the text. Fenollosa?s manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North Americaand East Asia.Pound?s editing of the essay obscured two important features, here restored to view: Fenollosa?s encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry.This book is the definitive critical edition of Fenollosa?s important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound?s deletions, insertions, and alterations to Fenollosa?s sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosa?s ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition.This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry. 606 $aChinese language$xWriting 606 $aChinese poetry$xHistory and criticism 606 $aGrammar, Comparative and general 608 $aElectronic books. 615 0$aChinese language$xWriting. 615 0$aChinese poetry$xHistory and criticism. 615 0$aGrammar, Comparative and general. 676 $a808.1 700 $aFenollosa$b Ernest$f1853-1908.$0639235 701 $aPound$b Ezra$f1885-1972.$0118310 701 $aSaussy$b Haun$f1960-$0694849 701 $aStalling$b Jonathan$01046676 701 $aKlein$b Lucas$01053230 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910457028703321 996 $aThe Chinese written character as a medium for poetry$92485028 997 $aUNINA