LEADER 03242nam 2200661Ia 450 001 9910456897803321 005 20200520144314.0 010 $a1-317-08487-X 010 $a1-282-38552-6 010 $a9786612385520 010 $a0-7546-9917-X 035 $a(CKB)2550000000001572 035 $a(EBL)476343 035 $a(OCoLC)534886855 035 $a(SSID)ssj0000364031 035 $a(PQKBManifestationID)12082163 035 $a(PQKBTitleCode)TC0000364031 035 $a(PQKBWorkID)10393572 035 $a(PQKB)10944529 035 $a(MiAaPQ)EBC476343 035 $a(MiAaPQ)EBC5121965 035 $a(Au-PeEL)EBL476343 035 $a(CaPaEBR)ebr10356320 035 $a(CaONFJC)MIL238552 035 $a(Au-PeEL)EBL5121965 035 $a(CaONFJC)MIL924636 035 $a(OCoLC)1027142876 035 $a(EXLCZ)992550000000001572 100 $a20090722d2010 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aOther voices$b[electronic resource] $ehidden histories of Liverpool's popular music scenes, 1930s-1970s /$fMichael Brocken 210 $aFarnham, Surrey ;$aBurlington, Vt. $cAshgate$dc2010 215 $a1 online resource (269 p.) 225 1 $aAshgate popular and folk music series 300 $aDescription based upon print version of record. 311 $a0-7546-6793-6 320 $aIncludes bibliographical references and index. 327 $aCover; Contents; General Editor's Preface; Introduction Capital of Culture - is anybody listening?; 1 Looking back, not through - an overview: 'Beatlesology' and historicism; 2 Antediluvian images? Popular music and parochial space in inter-war Liverpool; 3 Jazz, the Cavern, and skiffle; 4 Oral histories, public and private spaces; 5 I like your hat - country music and Liverpool; 6 Some Other Guys - R&B in Liverpool; 7 'Mist over the Mersey' - folk scenes on Merseyside; 8 Cabaret - reality amid the fake; 9 Taste-makers, reception, word-of-mouth; Epilogue; Appendix; Bibliography; Index 330 $aAt times it appears that a whole industry exists to perpetuate the myth of origin of the Beatles. Brocken argues that the music history of the Liverpool in which the Beatles grew and then departed is not fully represented. Beatles historians and businessmen-alike have seized upon myriad musical experiences and reworked them into a discourse that homogenizes not only the diverse collective articulations that initially put them into place, but also the receptive practices of those travelers willing to listen to a somewhat linear, exclusive narrative. Other Voices presents a history of the 410 0$aAshgate popular and folk music series. 606 $aPopular music$zEngland$zLiverpool$xHistory and criticism 606 $aMusic$zEngland$zLiverpool$xHistory and criticism 608 $aElectronic books. 615 0$aPopular music$xHistory and criticism. 615 0$aMusic$xHistory and criticism. 676 $a781.6409427/53 700 $aBrocken$b Michael$0868811 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910456897803321 996 $aOther voices$91939524 997 $aUNINA