LEADER 02190nam 2200601 a 450 001 9910456885503321 005 20200520144314.0 010 $a988-220-717-0 010 $a1-283-01686-9 010 $a9786613016867 010 $a988-220-578-X 035 $a(CKB)2550000000031305 035 $a(EBL)677470 035 $a(OCoLC)707092622 035 $a(SSID)ssj0000515335 035 $a(PQKBManifestationID)11306421 035 $a(PQKBTitleCode)TC0000515335 035 $a(PQKBWorkID)10523709 035 $a(PQKB)11727203 035 $a(StDuBDS)EDZ0000035509 035 $a(MiAaPQ)EBC677470 035 $a(MdBmJHUP)muse3773 035 $a(Au-PeEL)EBL677470 035 $a(CaPaEBR)ebr10453667 035 $a(CaONFJC)MIL301686 035 $a(EXLCZ)992550000000031305 100 $a20110415d2010 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMelancholy drift$b[electronic resource] $emarking time in Chinese cinema /$fJean Ma 210 $aHong Kong $cHong Kong University Press$d2010 215 $a1 online resource (208 p.) 300 $aDescription based upon print version of record. 311 $a988-8028-06-5 311 $a988-8028-05-7 320 $aIncludes bibliographical references and index. 327 $tTime without measure, sadness without cure --$tPhotography's absent times --$tThe post-classical art film --$tThe haunted movie theater --$tChance encounters and compulsive returns. 330 $aThis book looks closely at films by the most renowned directors of contemporary Chinese art cinema: Hou Hsiao-hsien, Tsai Ming-liang and Wong Kar-wai. It argues that these directors have collectively authored a distinct cinema of time across the realms of national and transnational film culture. 606 $aMotion pictures$zChina$xHistory 608 $aElectronic books. 615 0$aMotion pictures$xHistory. 676 $a791.430951 700 $aMa$b Jean$01026905 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910456885503321 996 $aMelancholy drift$92442066 997 $aUNINA