LEADER 03970nam 2200721Ia 450 001 9910456854903321 005 20200520144314.0 010 $a0-8147-7225-0 010 $a0-8147-7290-0 010 $a1-4416-3661-7 024 7 $a10.18574/9780814772904 035 $a(CKB)2520000000007934 035 $a(EBL)865881 035 $a(OCoLC)779828280 035 $a(SSID)ssj0000340678 035 $a(PQKBManifestationID)11947681 035 $a(PQKBTitleCode)TC0000340678 035 $a(PQKBWorkID)10408069 035 $a(PQKB)10392900 035 $a(StDuBDS)EDZ0001326152 035 $a(MiAaPQ)EBC865881 035 $a(OCoLC)558991451 035 $a(MdBmJHUP)muse10433 035 $a(DE-B1597)547491 035 $a(DE-B1597)9780814772904 035 $a(Au-PeEL)EBL865881 035 $a(CaPaEBR)ebr10356703 035 $a(EXLCZ)992520000000007934 100 $a20090722d2010 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMusical imagiNation$b[electronic resource] $eU.S.-Colombian identity and the Latin music boom /$fMari?a Elena Cepeda 210 $aNew York $cNew York University Press$d2010 215 $a1 online resource (268 p.) 300 $aDescription based upon print version of record. 311 $a0-8147-1692-X 311 $a0-8147-1691-1 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $tIntroduction -- $t1 La crisis colombiana -- $t2 A Miami Sound Machine -- $t3 Shakira as the Idealized Transnational Citizen -- $t4 Florecita rockera -- $t5 The Colombian Vallenato acá y allá -- $t6 The Colombian Transcultural Aesthetic Recipe -- $tAfterword -- $tNotes -- $tReferences -- $tDiscography -- $tIndex -- $tAbout the Author 330 $aLong associated with the pejorative clichés of the drug-trafficking trade and political violence, contemporary Colombia has been unfairly stigmatized. In this pioneering study of the Miami music industry and Miami?s growing Colombian community, María Elena Cepeda boldly asserts that popular music provides an alternative common space for imagining and enacting Colombian identity. Using an interdisciplinary analysis of popular media, music, and music video, Cepeda teases out issues of gender, sexuality, race, ethnicity, and transnational identity in the Latino/a music industry and among its most renowned rock en español, pop, and vallenato stars.Musical ImagiNation provides an overview of the ongoing Colombian political and economic crisis and the dynamics of Colombian immigration to metropolitan Miami. More notably, placed in this context, the book discusses the creative work and media personas of talented Colombian artists Shakira, Andrea Echeverri of Aterciopelados, and Carlos Vives. In her examination of the transnational figures and music that illuminate the recent shifts in the meanings attached to Colombian identity both in the United States and Latin America, Cepeda argues that music is a powerful arbitrator of memory and transnational identity. 606 $aMusic$xSocial aspects$zUnited States$xHistory$y20th century 606 $aPopular music$zFlorida$zMiami$xHistory and criticism 606 $aPopular music$zColombia$xHistory and criticism 606 $aMusic trade$zFlorida$zMiami 606 $aIdentity (Psychology) and mass media 608 $aElectronic books. 615 0$aMusic$xSocial aspects$xHistory 615 0$aPopular music$xHistory and criticism. 615 0$aPopular music$xHistory and criticism. 615 0$aMusic trade 615 0$aIdentity (Psychology) and mass media. 676 $a781.64089/68861075938 700 $aCepeda$b Mari?a Elena$01053228 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910456854903321 996 $aMusical imagiNation$92485025 997 $aUNINA LEADER 02175nam0 22004933i 450 001 VAN00283421 005 20250121021919.196 017 70$2N$a9783030881245 100 $a20241126d2022 |0itac50 ba 101 $aeng 102 $aCH 105 $a|||| ||||| 181 $ai$b e 182 $ab 200 1 $aDemographics of Exoplanetary Systems$eLecture Notes of the 3rd Advanced School on Exoplanetary Science$fKatia Biazzo ... 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