LEADER 03913nam 2200745 450 001 9910456825303321 005 20200520144314.0 010 $a1-4426-8829-7 024 7 $a10.3138/9781442688292 035 $a(CKB)2550000000019280 035 $a(OCoLC)635459326 035 $a(CaPaEBR)ebrary10382066 035 $a(SSID)ssj0000459500 035 $a(PQKBManifestationID)11295991 035 $a(PQKBTitleCode)TC0000459500 035 $a(PQKBWorkID)10473242 035 $a(PQKB)10778030 035 $a(CaPaEBR)430792 035 $a(CaBNvSL)slc00224365 035 $a(MiAaPQ)EBC3268281 035 $a(MiAaPQ)EBC4672608 035 $a(DE-B1597)465352 035 $a(OCoLC)1013955386 035 $a(OCoLC)944176781 035 $a(DE-B1597)9781442688292 035 $a(Au-PeEL)EBL4672608 035 $a(CaPaEBR)ebr11258267 035 $a(OCoLC)958581488 035 $a(EXLCZ)992550000000019280 100 $a20160923h20072007 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 13$aIl riposo /$fRaffaello Borghini ; edited and translated with introduction and notes by Lloyd H. Ellis Jr 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d2007. 210 4$dİ2007 215 $a1 online resource (399 p.) 225 1 $aLorenzo Da Ponte Italian Library 311 $a1-4426-1493-5 311 $a0-8020-9743-X 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tTranslator's Preface -- $tAcknowledgments -- $tIntroduction -- $tPersonae -- $tIl Riposo -- $tDedicatory Poem -- $tBook One -- $tBook Two -- $tBook Three -- $tBook Four -- $tAppendix: The Artists Described by Borghini -- $tNotes -- $tSelected Bibliography -- $tIndex 330 $aRaffaello Borghini's Il Riposo (1584) is the most widely known Florentine document on the subject of the Counter-Reformation content of religious paintings. Despite its reputation as an art-historical text, this is the first English-language translation of Il Riposo to be published. A distillation of the art gossip that was a feature of the Medici Grand Ducal court, Borghini's treatise puts forth simple criteria for judging the quality of a work of art. Published sixteen years after the second edition of Giorgio Vasari's Vite, the text that set the standard for art-historical writing during the period, Il Riposo focuses on important issues that Vasari avoided, ignored, or was oblivious to. Picking up where Vasari left off, Borghini deals with artists who came after Michaelangelo and provides more comprehensive descriptions of artists who Vasari only touched upon such as Tintoretto, Veronese, Barocci, and the artists of Francesco I's Studiolo. This text is also invaluable as a description of the mid-sixteenth century reaction against the style of the 'maniera,' which stressed the representation of self-consciously convoluted figures in complicated works of art.The first art treatise specifically directed toward non-practitioners, Il Riposo gives unique insight into the early stages of art history as a discipline, late Renaissance art and theory, and the Counter-Reformation in Italy. 410 0$aLorenzo da Ponte Italian library. 606 $aPainting$vEarly works to 1800 606 $aSculpture$vEarly works to 1800 606 $aPainters$zItaly 606 $aSculptors$zItaly 608 $aElectronic books. 615 0$aPainting 615 0$aSculpture 615 0$aPainters 615 0$aSculptors 676 $a750.7 700 $aBorghini$b Raffaello$factive 16th century,$0189722 702 $aEllis$b Lloyd H.$cJr.,$f1936- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910456825303321 996 $aRiposo$9558169 997 $aUNINA