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200 10$aListening as spiritual practice in early modern Italy$b[electronic resource] /$fAndrew Dell'Antonio
210   $aBerkeley $cUniversity of California Press$d2011
215   $a1 online resource (232 p.)
300   $aDescription based upon print version of record.
311   $a0-520-26929-2 
320   $aIncludes bibliographical references and index.
327   $aRapt attention -- Aural collecting -- Proper listening -- Noble and manly understanding -- Envoy : from Gusto to Gou?t.
330   $aThe early seventeenth century, when the first operas were written and technical advances with far-reaching consequences-such as tonal music-began to develop, is also notable for another shift: the displacement of aristocratic music-makers by a new professional class of performers. In this book, Andrew Dell'Antonio looks at a related phenomenon: the rise of a cultivated audience whose skill involved listening rather than playing or singing. Drawing from contemporaneous discourses and other commentaries on music, the visual arts, and Church doctrine, Dell'Antonio links the new ideas about cultivated listening with other intellectual trends of the period: humanistic learning, contemplative listening (or watching) as an active spiritual practice, and musical mysticism as an ideal promoted by the Church as part of the Catholic Reformation.
606   $aMusic$zItaly$y17th century$xHistory and criticism
608   $aElectronic books.
615  0$aMusic$xHistory and criticism.
676   $a781.1/70945
700   $aDell'Antonio$b Andrew$01039123
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996   $aListening as spiritual practice in early modern Italy$92469716
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