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200 10$aAmerican pieta?s$b[electronic resource] $evisions of race, death, and the maternal /$fRuby C. Tapia
210   $aMinneapolis $cUniversity of Minnesota Press$d2011
215   $a1 online resource (240 p.)
225 1 $aCritical American studies series
300   $aDescription based upon print version of record.
311   $a0-8166-5311-9 
311   $a0-8166-5310-0 
320   $aIncludes bibliographical references and index.
327   $aMachine generated contents note: 1.Maternal Visions, Racial Seeing: Theories of the Photographic in Barthes's Camera Lucida -- 2.Commemorating Whiteness: The Ghost of Diana in the U.S. Popular Press -- 3.Beloved Therapies: Oprah and the Hollywood Production of Maternal Horror -- 4.Prodigal (Non)Citizens: Teen Pregnancy and Public Health at the Border -- 5.Breeding Patriotism: The Widows of 9/11 and the Prime-time Wombs of National Memory.
330   $aIn ""American Pietas,"" Ruby C. Tapia reveals how visual representations of racialized motherhood shape and reflect national citizenship. By means of a sustained engagement with Roland Barthes's suturing of race, death, and the maternal in ""Camera Lucida,"" Tapia contends that the contradictory essence of the photograph is both as a signifier of death and a guarantor of resurrection. Tapia explores the implications of this argument for racialized productions of death and the maternal in the context of specific cultural moments: the commemoration of Princess Diana in U.S. magazines; the intert
410  0$aCritical American studies series.
606   $aMotherhood in popular culture$zUnited States
606   $aDeath in popular culture$zUnited States
606   $aEthnicity$zUnited States
606   $aPieta?
606   $aMothers in art
606   $aDeath in art
606   $aRace in art
608   $aElectronic books.
615  0$aMotherhood in popular culture
615  0$aDeath in popular culture
615  0$aEthnicity
615  0$aPieta?.
615  0$aMothers in art.
615  0$aDeath in art.
615  0$aRace in art.
676   $a306.874/30973
700   $aTapia$b Ruby C$0897867
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906   $aBOOK
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996   $aAmerican pieta?s$92005947
997   $aUNINA