LEADER 00996nam--2200349---450- 001 990002250190203316 005 20041209100557.0 010 $ao-906496-30-6 035 $a000225019 035 $aUSA01000225019 035 $a(ALEPH)000225019USA01 035 $a000225019 100 $a20041209d1982----km-y0itay0103----ba 101 $aeng 102 $aUK 105 $a||||||||001yy 200 1 $a<> devolopment of international by the international court$fHersch Lauterpacht 210 $aCambridge$cGrotius$d1982 215 $aXOX, 408 p.$d24 cm 410 0$12001 454 1$12001 461 1$1001-------$12001 676 $a341.552 700 1$aLAUTERPACHT,$bHersch$0294920 801 0$aIT$bsalbc$gISBD 912 $a990002250190203316 951 $aIG ING VIII 9 540$b10756 G.$cIG ING VIII 9 959 $aBK 969 $aGIU 979 $aSIAV1$b10$c20041209$lUSA01$h1005 996 $aDevolopment of international by the international court$91034228 997 $aUNISA LEADER 00941cam--2200337---450 001 990002680640203316 005 20190620135948.0 035 $a000268064 035 $aUSA01000268064 035 $a(ALEPH)000268064USA01 035 $a000268064 100 $a20051102d1984----km-y0itay0103----ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $aNotte vorrei che mi coprisse il cuore$fVincenzo Sommella 210 $aTorre di Mosto$cRebellato$d1984 215 $a62 p.$d20 cm 225 2 $a<> eco 410 0$12001$a<> eco 606 0 $aPoesia italiana$2BNCF 676 $a851.914 700 1$aSOMMELLA,$bVincenzo$0327900 801 0$aIT$bsalbc$gISBD 912 $a990002680640203316 951 $aXVII A.A. 549$bDLAS$cXVII A.A.$d00152689 959 $aBK 969 $aCAS 979 $aDLAS$b10$c20051102$lUSA01$h1207 996 $aNotte vorrei che mi coprisse il cuore$91002850 997 $aUNISA LEADER 02821nam 2200601 a 450 001 9910456817003321 005 20200520144314.0 010 $a1-282-18991-3 010 $a9786612189913 010 $a1-4438-0413-4 035 $a(CKB)2430000000014999 035 $a(EBL)1114153 035 $a(OCoLC)827209500 035 $a(SSID)ssj0000309036 035 $a(PQKBManifestationID)12114491 035 $a(PQKBTitleCode)TC0000309036 035 $a(PQKBWorkID)10260395 035 $a(PQKB)11415140 035 $a(MiAaPQ)EBC1114153 035 $a(Au-PeEL)EBL1114153 035 $a(CaPaEBR)ebr10655243 035 $a(CaONFJC)MIL218991 035 $a(EXLCZ)992430000000014999 100 $a20090728d2009 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aScottish cinema now$b[electronic resource] /$fedited by Jonathan Murray, Fidelma Farley and Rod Stoneman 210 $aNewcastle upon Tyne $cCambridge Scholars$d2009 215 $a1 online resource (260 p.) 300 $aDescription based upon print version of record. 311 $a1-4438-0331-6 320 $aInclude bibliographical references. 327 $aTABLE OF CONTENTS; EDITORS' INTRODUCTION; ACKNOWLEDGEMENTS; DEMONS IN THE MACHINE; REEL 2 REAL CACOPHONY; SCOTCH MYTHS, SCOTTISH FILM CULTURE AND THE SUPPRESSION OF LUDIC MODERNISM; NOSTOPHOBIA; THEY KNOW WHERE THEY'RE GOING; 'BONNIE SCOTLAND, EH?'; SCOTLAND'S OTHER KINGDOMS; ADMITTING THE KAILYARD; NEW SCOTTISH CINEMA AS TRANS-NATIONAL CINEMA; SCREENING SCOTLAND; NOT MADE IN SCOTLAND; CHASING CROSSOVER; WHAT'S THE POINT OF FILM SCHOOL, OR, WHAT DID BEACONS FIELD STUDIOS EVER DO FOR THE SCOTTISH FILM INDUSTRY?; SHAPE-SHIFTERS; LIST OF CONTRIBUTORS 330 $aCinema from Scotland has attained an unprecedented international profile in the decade or so since Shallow Grave (1995) and Trainspotting (1996) impinged on the consciousness of audiences and critics around the world. Scottish Cinema Now is the first collection of essays to examine in depth the new films and filmmakers that have emerged from Scotland over the last ten years. With contributions from both established names and new voices in British Cinema Studies, the volume combines detailed t... 606 $aMotion pictures$zScotland 606 $aMotion picture industry$zScotland 608 $aElectronic books. 615 0$aMotion pictures 615 0$aMotion picture industry 676 $a791.4309411 701 $aMurray$b Jonathan$f1973-$01045754 701 $aFarley$b Fidelma$01045755 701 $aStoneman$b Rod$01045756 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910456817003321 996 $aScottish cinema now$92472225 997 $aUNINA LEADER 03541nam 22007215 450 001 9910484379403321 005 20230810172057.0 010 $a3-030-62651-2 024 7 $a10.1007/978-3-030-62651-8 035 $a(CKB)4100000011807034 035 $a(MiAaPQ)EBC6531663 035 $a(Au-PeEL)EBL6531663 035 $a(OCoLC)1244536274 035 $a(DE-He213)978-3-030-62651-8 035 $a(PPN)259452025 035 $a(EXLCZ)994100000011807034 100 $a20210326d2021 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 12$aA Contrived Countryside $eThe Governance of Rural Housing in England 1900?74 /$fby Keith Hoggart 205 $a1st ed. 2021. 210 1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2021. 215 $a1 online resource (575 pages) 225 1 $aLocal and Urban Governance,$x2524-5457 311 $a3-030-62650-4 327 $aPreface -- Acknowledgments -- Chapter 1. Governance and Rural Transformation: An Investigative Approach -- Chapter 2. Governance and Rural Transformation: An Investigative Approach -- Chapter 3. Rural Exceptionalism?: Local Leader Priorities for Country Homes -- Chapter 4. Uneven Demand: Depopulation, Repopulation and Housing Pressure -- Chapter 5. The English Disease: Capacity and Capability for Housing Improvement -- Chapter 6. A Subservient Countryside: National Priorities and Housing -- Chapter 7. Rural Implementation: Frustration, Challenge and Compromise as Housing Realities -- Chapter 8. The Political Economy of English Rural Housing. 330 $aThis book shows how governance regimes before the 1970s suppressed rural prospects of housing improvement and created conditions for middle-class capture. Using original archival sources to reveal the intricacies of local and national policy processes, weak rural housing performances are shown to owe more to national governance regimes than local under-performance. Looking `behind the scenes' at policy processes highlights neglected principles in national governance, and shows how investigating rural housing is fundamental to understanding the national scene. 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